This week’s article is an abbreviated excerpt from a chapter in my forthcoming DVD and book, “The Dualism Of Seienchin Kata: Part Two in the Jiriki Kata-Do Series.” (See Endnote # 1)
It has been said that there are eight primordial principles that envelope the martial arts. These principles have been delineated in an ancient martial text called “The Bubishi”. The principles are also inferred within the martial work known as the “Eight Poems Of The Chinese Fist.” (See Endnote # 2 for the full text of the poems). The eight primordial principles are:
- To float;
- To sink;
- To swallow;
- To spit;
- To burst;
- To rebound;
- To spring;
- To lift.
All eight principles are found within the Seienchin Kata which is derived from the Fujian white crane system of Kung-Fu. Fujian white crane style was developed by Xie Zhing Xiang. The style contains the four elements of whooping crane, flying crane, eating crane and sleeping crane. The four stylistic elements formed the basis of the Seienchin Kata found within Karate-Do.
The Seienchin Kata is the second protocol of my dynamic ideology, Jiriki Kata-Do. It is derived from the Seienchin Kata of the Goshin-Do Karate DeFelice-Ryu style of Karate. (See Endnote # 3)
Traditionally, only the martial arts based physical applications of the principles have been explored and discussed. In my dynamic ideology of Jiriki Kata-Do, the spiritual connotations associated with the principles are delineated.
Four of the eight principles contained within Seienchin Kata are present within Sanchin Kata. (See Endnote # 4) To provide insight into the physical and hidden spiritual aspects of the eight principles, I submit the following brief discussion of the four principles found within Sanchin Kata.
The four principles found within Sanchin and the associated martial arts application, are as follows.
- TO FLOAT – Unbalancing an opponent by one’s movement, depriving him of a firm footing and thereby defeating him.
- TO SINK – controlling an opponent by making him feel heavy or clumsy;
- TO SWALLOW – “to swallow” is a euphemism for the phrase “to absorb.” It means defeating an opponent’s attack by diverting and absorbing it;
- TO SPIT – “to spit” is a euphemism for the phrase “to reject.” It involves using explosive power to strike or push away an opponent with such force that he is defeated.
In my Seienchin DVD and Book, I submit that in addition to the above physical traits of the principles, there are hidden spiritual traits found within Sanchin and Seienchin Kata. These hidden spiritual traits remain concealed from all but a few enlightened practitioners of the Kata. The dynamic ideology of Jiriki Kata-Do is the express mechanism to uncover the hidden spiritual and meta-physical traits hidden within the eight primordial principles. As to the four principles found within Sanchin, I submit that the hidden spiritual traits are as follows.
- TO FLOAT: After a practitioner of zazen, seated meditation, attained a level of proficiency, he was next required to learn “To Float”. Within this meditative practice, “To Float” means that one must allow one’s force to synchronize with and to flow with the general forces that exists in nature. (See Endnote # 5) One could not float by simply sitting in meditative zazen. One had to combine zazen with bodily movement; a dance. It is through the dance that the body could perform naturally and thus free the mind, or spirit, for meditation. Thus, passive, seated, meditation, was combined with the active, physical movement, in the manner of harmony of opposites, as in the concepts of Yin and Yang. It is my unfettered opinion that there is no greater form of “dance” than Karate-Do Kata. Thus, Kata are the ultimate mechanism for the phenomenon known as “To Float.”
- TO SINK: this spiritual concept involved rooting one’s Chi, or bio-energy, as I call it, to the Earth during the dance so as to permit one’s energy to flow freely within the confines of one’s body and subsequently synchronize one’s internal energy with the external universal energy. If one’s internal bio-energy was not sufficiently rooted to the Earth, it would spill forth haphazardly into the external universal energy and be dissipated and dispersed thereby.
- TO SWALLOW: This spiritual concept involves opening and extending oneself to the external universal energy. Through this process, one not only swallows, or absorbs, the universal energy into oneself, but also extends one’s bio-energy into the universe. Through this process one blends into the universal energy in such a manner as to unite with this external energy so as to produce a fully integrated state of being.
- TO SPIT: This spiritual concept is a moral imperative. The universe is in complete balance and exists entirely in a state of harmony. The nature of the universe dictates that the universe is composed of a positive aspect and also contains a negative aspect. Harmony in the universe is achieved by balancing these opposing and chaotic elements. The spiritual concept “To Spit” is the process whereby one consciously is aware of the negative component of the universal essence, or spirit. Being thus aware of this negative aspect, the practitioner of either Sanchin Kata or Seienchin Kata who seeks to synchronize and unite with the universal essence, consciously desires to unite with the positive aspect and spit out, or reject, the negative aspect. This does not mean that the practitioner is out of harmony with the universe. The negative aspect will continue to exist, but such existence is limited to the universe in general. Though continuing to exist, the negative aspect is not unified with the practitioner’s individual essence and self. The result is an integrated positive self that exists within a harmonious universe of positive and negative aspects. The negative aspect tends to be absorbed by those unenlightened persons who incorporate negativity into their level of existence. These non-integrated, unenlightened humans, are often physically ill and spiritually bankrupt.
The physical and hidden spiritual traits of all eight principles are fully analyzed in my forthcoming DVD and Book, “The Dualism Of Seienchin Kata: Part Two in the Jiriki Kata-Do Series.” The anticipated release date for the DVD and Book is August 1, 2012.
In closing, I remain, floating, sinking, swallowing, spitting, bursting, rebounding, springing and lifting,
Sensei John Szmitkowski
ENDNOTES:
- Part One of Jiriki Kata-Do can be found in my Sanchin DVD and Book: “Sanchin, Gateway To The Plateau Of Serenity.” Here is a convenient link a promotional video about the Sanchin DVD filmed on location at various scenic locations throughout Arizona. LINK: http://www.youtube.com/watch?v=J-pC-tPUrYE
- The “Eight Poems Of The Chinese Fist” are as follows:
- 1. Jinshin wa tenchi ni onaji. The mind is one with heaven and earth.
- 2. Ketsumyaku wa nichigetsu ni nitari. The circulatory rhythm of the body is similar to the cycle of the sun and the moon.
- 3. Ho wa goju no donto su. The way of inhaling and exhaling is hardness and softness.
- 4. Mi wa toki ni shitagai hen ni ozu. Act in accordance with time and change.
- 5. Te wa ku ni ai sunawachi hairu. Techniques will occur in the absence of conscious thought.
- 6. Shintai wa hakarite riho su. The feet must advance and retreat, separate and meet.
- 7. Me wa shiho womiru wa yosu. The eyes must not miss even the slightest change.
- 8. Mimiwa yoku happo wo kiku. The ears listen well in all eight directions.
3. I have chosen the name “Goshin-Do Karate DeFelice-Ryu” to designate the Goshin-Do Karate style as taught by my Sensei, Shihan Thomas DeFelice so as to distinguish it from the various other martial arts styles that utilize the “Goshin-Do” nomenclature. The Kanji for the style translates as, “Self-defense way of the empty hand, DeFelice style.”
4.I have made the benefits of Sanchin Kata available to everyone with my one hour Sanchin DVD and 116 page book. You can find information on how to purchase a Sanchin DVD & Book by clicking the following convenient link: http://www.dynamic-meditation.com/references.html
5. For example, In the Hindu meditative practices, the phrase used to describe this phenomenon is, “To allow one’s Atman to become one with the universal Atman.”
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