Shibumi – Kata Tactics: Physical Movements – 8 Ancient Concepts

4 Dec

IMPORTANT:

The foregoing is one component Chapter of an overall work describing the Shibumi Kata. To read the work in the order intended, please either click on the Shibumi Kata Page Tab above for a full Table Of Contents or this convenient            link: https://senseijohn.me/shibumi-kata/

Shibumi Tactics (Physical Movements OF Kata):

The tactics employed in the Shibumi kata to modify “Dean’s” depleted physical condition associated with cancer and chemotherapy and the psychological effects of fighting the disease are ancient in nature. These principles date back in time to the earliest formulation of the martial arts.

It has been said that there are eight primordial principles that envelope the martial arts and karate. These principles have been delineated in an ancient martial text called “The Bubishi”. The principles are also inferred within the martial work known as the “Eight Poems Of The Chinese Fist.” (See below for the full text of the poems).

I have used these eight ancient principles to create the foundation for the physical movements and psychological and emotional aspects of the Shibumi Kata.

I have grouped the eight principles into four sequences. Each sequence has two competing principles. The physical movements and psychological aspects of each sequence provide a varied means of modifying the performers physical and emotional states. The performer can either select a specific sequence as he determines his needs at any point in time or he may elect to perform the entire Shibumi Kata by performing all four sequences in the recommended order. Each group is discussed in detail in the foregoing chapters.

Using their historical names, the four sequences (in recommended order) containing the eight primordial principles are:

Sequence # 1:

  •      To swallow;
  •      To spit;

Sequence # 2:

  •      To float;
  •      To sink;

Sequence # 3

  •      To burst;
  •      To bounce;

Sequence # 4:

  •      To spring;
  •      To lift.

An exact description of the physical movements and psychological states that I ascribe to each of the above follows in the foregoing chapters.

In closing, I wish you – Shibumi,

SHIBUMI-snow-daffodil

HANKO

Sensei John Szmitkowski

 © Copyright 2013 Issho Productions & John Szmitkowski, all rights reserved.

The “Eight Poems Of The Chinese Fist” are as follows:

  • 1. Jinshin wa tenchi ni onaji.
  • The mind is one with heaven and earth.
  • 2. Ketsumyaku wa nichigetsu ni nitari.
  • The circulatory rhythm of the body is similar to the cycle of the sun and the moon.
  • 3. Ho wa goju no donto su.
  • The way of inhaling and exhaling is hardness and softness.
  • 4. Mi wa toki ni shitagai hen ni ozu.
  • Act in accordance with time and change.
  • 5. Te wa ku ni ai sunawachi hairu.
  • Techniques will occur in the absence of conscious thought.
  • 6. Shintai wa hakarite riho su.
  • The feet must advance and retreat, separate and meet.
  • 7. Me wa shiho womiru wa yosu.
  • The eyes must not miss even the slightest change.
  • 8. Mimiwa yoku happo wo kiku.
  • The ears listen well in all eight directions.

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