Tag Archives: Kata Imagination

Sine Quo Non Sanchin Kata

19 Jul

“Sine Quo Non” is a phrase I learned during my years (1985 to 1989) at Seton Hall University School Of Law (Newark, NJ). Sine quo non is a latin phrase that refers to “an indispensable and essential action or ingredient” or “without which (there is) nothing.”
Sine quo non provides a restatement of the importance of Sanchin. Thus, it is an excellent platform upon which to base this Online Kata session.
The goal of the Sine Quo Non Online Kata session session is to acknowledge and appreciate that without the three battles of Sanchin, breathing, bodily movement and state-of-mind, our lives would not be possible.
Sine quo non also refers to the advanced three battles encompassing our multi-state of existence (See Endnote # 1).

Memorial Day 2015 – Sanchin Kata footprints, North Truro, Cape Code, MA

You are cordially invited to perform the Sine Quo Non Online Kata session.

Remember, the group dynamic is not fulfilled by all of us being geographically present, rather, it is fulfilled by each of us performing Sanchin in the proscribed manner.

Session Parameters:
(Those readers that know my “Holy Trinity” of Kata, please see Endnote # 2)
Date: The week of July 24th, 2017;
Time: either first activity in the morning or the last activity at the end of the day. Even better, perform Sanchin at both times;
Location: preferably an outdoor location;
Salient Points:

  • As you perform Sanchin, remember and embrace the simple fact that without the fundamental three battles (breathing, bodily movement and state-of-mind), you would not exist;
  • Without the three battles, you would not live, therefore, your life is, in fact, the synchronization of the three battles. Thus, life is Sanchin and Sanchin is life;
  • Appreciate the frailty of life during your performance and seek to embrace the beauty of life throughout your day;
  • For those that understand the advanced three battles reflected in Endnote # 1, exist in each of the three states of being throughout the day;

The last requirement of this Sanchin Pilgrimage is to remain in an enraptured physical, spiritual and metaphysical state throughout the day by way of the concept of “Zanshin” (the “remaining mind”).

You may wish to not only perform this session as scheduled, but may also make it an integral part of your regular Sanchin practice.

In closing, I remain, the three battles of Sanchin,

Sensei John Szmitkowski

     For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/
My seminars are the ONLY seminars that allow you to pay at the conclusion, thus insuring your complete satisfaction!

 For a refreshing and innovative discourse on kata and bunkai, please feel free to visit Sensei John’s Kata Laboratory and “THINK * SWEAT * EXPERIMENT” using this convenient link: https://senseijohn.me/kata-lab/

ENDNOTES:
1. A more advanced Sanchin-Ka (practitioner of Sanchin) should understand that the basic definition of the three battles (or aspects of Sanchin) is redundant. Specifically, breathing and bodily movement describe a physical state. Thus, two of the three battles may more accurately be defined as the physical state and the spiritual state (which encompasses state-of-mind, emotions and psyche). How then do I define the third battle? It is the environmental state (how we interact with the world around us, its effects upon us physically and how we effect it).

2. For those readers that know what I call the “Holy Trinity” of kata, Sanchin, Seienchin and Suparunpei (Pechurin), I would suggest the following performance parameters:
First act in the morning, with the rising sun, perform Sanchin as an ode to the physical aspect of life, namely breathing, bodily movement and state-of-mind”;
At mid-day, perform Seienchin as a reminder of the spiritual nature of life and the duality of same symbolized by the affect of “calm in the storm, storm in the calm”;
The very last act of the day, under the awe-inspiring night sky, “pray” with Suparunpei (Pechurin) as emblematic of a desire to appreciate the eternal interconnectivity we have with all that surrounds us.

Suggested video of the Holy Trinity:

Sanchin Kata:

Seienchin Kata:

Suparunpei Kata:

© Copyright 2017 Issho Productions & John Szmitkowski, all rights reserved.

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

You may wish to view my other blogs –
   my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol to fishing http://flyfishingdojo.com
and
 the Goshin-Do Karate blog at http://defeliceryu.com

Kata Lab # 2250: Kata Within You – An Introduction

23 May

A dream is an answer to a question we have not yet learned to ask. Fox Mulder, The X-Files, (Paper Hearts episode, S4, E 10)


KATA LAB

Background:

Kata is always within you.
In fact, you intentionally train to have kata within you. If a time comes when you are confronted by an attacker, kata rises to the surface and you can successfully defend yourself. The kata sequences that you instinctively use in your defense will vary based upon a great number of circumstances. Nonetheless, your training in kata will pay dividends in an actual street scenario. This kata lab explores that actuality. This Lab also functions as an introduction to the advanced concepts contained in Kata Lab # 4210: Kata Within You – Advanced.

Experiment:

  • Do not pre-select a kata for this lab. Your kata should be as spontaneous as possible;
  • Do not “spontaneously” perform your “favorite” kata. To do so defeats the purpose of this Kata Lab.
  • As you go about your day be aware of the fact that your kata is brewing inside you, waiting to let itself out;
  • At a random point in time (you may also use a timer as in previous kata labs), let the kata out;
  • Perform the kata as you require at that specific time. For example, in Kata Lab number 2230, you performed the kata in a “life and death” scenario. This time, perform the kata as your specific needs may require, examples include, performing the kata to rejuvenate yourself if you are tired, or performing the kata to “stretch your legs” and “get your blood flowing” if you’re lethargic;
  • The kata that bursts forth from within you should be as random as possible based upon your needs at the time.

Conclusion:

This is a very basic kata lab to acquaint you with the idea that at all times, you are your kata and your kata is you. As you go about your day, kata simmers within you waiting to be called forth to help you through your day.
This lab also provides a firm foundation for Kata Lab # 4210: Kata Within You – Advanced and for other more advanced labs that follow.

This week’s featured video is

Bonus video from my new “Underground Bunkai” series

 

HANKO-master
Cum superiorum privilegio veniaque (“With the privilege and permission of the superiors”)
Sensei John Szmitkowski

   sunsu-2   For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/

 

© Copyright 2016 Issho Productions & John Szmitkowski, all rights reserved.

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

You may wish to view my other blogs –
LOGO-WEBSITE   my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com
and
DOJO STICKER-1 the Goshin-Do Karate blog at http://defeliceryu.com

Kata Lab # 4260 – Kata & Perception – A Puzzle

18 Jan

 

Un homme se définit aussi bien par ses comédies que par ses élans sincères.” (“A man defines himself by his make-believe as well as by his sincere impulses.”) Albert Camus

KATA LAB

Background:

This Kata Lab is based on an episode of one of my favorite television shows, “Through The Wormhole With Morgan Freeman.” The specific episode was entitled “Mysteries Of The Subconscious.” It featured an experiment devised by Dr. Alan Snyder of the Center For The Mind in Sydney, Australia. The experiment looked to test a method of altering the brain’s perceptions (See Endnote # 1 for details of the experiment).

It occurred to me that Dr. Snyder’s experiment can be it can be used to test my theory that kata can be used to alter brain perception. (See Endnote # 2) There have been studies as to enhanced brain function resulting from zazen (seated mediation) and prayer, most notably the experiments of Dr. Andrew Newberg, M.D. (See Endnote # 3) My idea that kata, like prayer can stimulate specific areas of the brain is by far no “leap of faith.” I have previously submitted the idea that kata is the functional equivalent of the Apostle Matthew’s “inner room.” (See Endnote # 4) Not withstanding the effects of kata as analogous to prayer, no experimentation has been done as to kata and enhanced brain function. Dr. Synder’s experiment offers a means to test this enhanced brain function as it relates to kata.

The Experiment:

As in Dr. Snyder’s experiment, there are a series of puzzles which you are to solve. Each puzzle is written in matchsticks using roman numerals and depicts an incorrect mathematical equation. You are to move the position of ONE matchstick to correct the equation. For example, the first puzzle, as written is 1 + 3 = 9. You must move any one matchstick to correct the equation.

Puzzle # 1

puzzle-1

Puzzle # 2

puzzle-2

Puzzle # 3

puzzle-3

Puzzle # 4

puzzle-4

Most of you can solve the first three puzzles. Many of you will have experienced difficulty in solving the final puzzle; in fact, many will not be able to solve the puzzle at all. This is because the final puzzle requires the use of the creative areas of your brain. Kata will be used to stimulate specific areas of your brain. After stimulation, you should then be able to correctly solve the puzzles.

Kata Guidelines:

  • It must be remembered that the fuel of the brain is oxygen; in order to function properly and efficiently, the body needs to maximize the exchange of oxygen to the brain. Thus while my theory applies to any karate-do kata, it is more evident when kata based upon deep abdominal breathing and bodily movement are performed. To this end, certain kata derived from Goju-ryu, Pang-Noon-Gai-ryu or Uechi-Ryu are preferred. My personal favorite (in general terms) is what I call my “Sacred Trinity” Kata; performing Sanchin, Seienchin and Suparunpei Kata as one kata.
  • Your choice of kata and combinations thereof will require continued future performance of this and other Kata Labs designed to alter perception. In fact, you should have performed all of the “Spiritual” Kata Labs before attempting this experiment. Please refer to the Table Of Contents using this convenient link: https://senseijohn.me/kata-lab/

Your Experiment:

  • Choose your kata in accord with the above guidelines;
  • Your kata should be deeply and sincerely performed; NO interruption should be tolerated;
  • Practice should be continual for at least one-half hour; do no stop (if you must catch your breath slow your pace and decrease the intensity of the kata, but keep active). You should strive to use your kata to enter “your inner room and close the door”;
  • After your practice, try to solve the puzzles;
  • More than one kata-problem solving session may be required to achieve success. Do not give up if your first attempt does not result in success.

Solutions to the puzzle are posted in Endnote # 5.

Conclusion:

This Kata Lab is but one of many gateways to start to explore how kata can alter your brain’s perception and empirically test same. It is intentionally submitted in general terms to stimulate your own self-exploration of kata. Realizing that that is a formidable task, I have set forth my own specific kata regime to alter perception in great detail in Kata Lab # 4270 – A Kata Riddle.

HANKO-master

Cum superiorum privilegio veniaque (“With the privilege and permission of the superiors”)
Sensei John Szmitkowski

© Copyright 2016 Issho Productions & John Szmitkowski, all rights reserved.

sunsu-2   For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/
My seminars are the ONLY seminars that allow you to pay at the conclusion, thus insuring your complete satisfaction!

ENDNOTES:

1. The experiment required a subject to solve a series of mathematical puzzles. The first few puzzles required the subject to make use of the analytical areas of their brain. These puzzles were solved with relative ease. The solution to the next series of puzzles required the subject to use the creative area of their brains. These puzzles presented difficulty, which, more often than not, resulted in the puzzles being unsolved. Dr. Snyder then stimulated the brain’s creative areas with electrical impulses and the subjects were able to solve the puzzles.

2. My theory is codified in a philosophy I call Jiriki Kata-Do (“JK-D”). For those unfamiliar with the term, JK-D is my dynamic-philosophy of using kata to attain well-being from within oneself. Well-being in this context is physical, spiritual (state-of-mind, emotions and psyche) and environmental (how your environment interacts with you and vice-versa). To understand the manner in which I conceived of Jiriki Kata-Do from the practice of Goshin-Do Karate-Do, please feel free to read the following article: https://senseijohn.me/2011/10/02/jiriki-kata-do-an-epiphenomenon-of-goshin-do-karate/

3. You are wholeheartedly encouraged to read Dr. Newberg’s experiments, findings and conclusions contained in his book: Newberg, Andrew, M.D., D’Aquill, Eugene, M.D., Ph.D. And Rause, Vince, Why God Won’t Go Away: Brain Science & The Biology Of Belief (Ballantine Book, New York, NY 2001).

4. “When you pray, you are not to be like the hypocrites, for they love to stand and pray in the synagogues and on the street corners so that they may be seen by men.” . . . “But you, when you pray, go into your inner room, close your door and pray. . .” Matthew 6:5-6 (Emphasis added).

5. Solutions to the Puzzles:

puzzle-1          puzzle-2

puzzle-3          puzzle-4

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

You may wish to view my other blogs –
LOGO-WEBSITE   my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com
and
DOJO STICKER-1 the Goshin-Do Karate blog at http://defeliceryu.com

Kata – Summer’s Souvenir

15 Jun

dreams-seisan               Ah, summer is here!

A time when many of us travel. Whether we journey to an exotic location for an extended stay, simply indulge ourselves in a long weekend, or take the refreshing day trip, a hallmark of summer is travel. In an effort to preserve our experiences, such travel usually involves the ritual of obtaining souvenirs. Here is a simple way to collect a souvenir for no financial cost; the sole cost may be expressed in terms of a little sweat.

Seienchin Kata, Badlands, SD, Circa 2004

Seienchin Kata, Badlands, SD, Circa 2004

Since I was first introduced to the concept at ten years old by Sensei Nock D’Antuono, I have always enjoyed performing kata outdoors in any location. I can unabashedly admit that I prefer to perform kata in the magnificence of Nature’s Dojo instead of the relative sterility of a traditional dojo. To be sure, the traditional dojo carries an aura and mystique for me, but, I carry such a dojo in my heart and prefer to exhibit it in nature.

Tensho practice, Cape Cod, MA, Circa. 2001

Tensho practice, Cape Cod, MA, Circa. 2001

For decades, I have collected kata souvenirs of my many travels. Much like looking through a photo album, I am able to revisit my travels by recalling them while performing my kata. Regardless of my present location, I can perform a kata and recall a memory of performing the kata at a different time and in a different place.

A Sanchin pontoon boat ride with Miko (R.I.P.), Lake George, NY circa 1999

A Sanchin pontoon boat ride with Miko (R.I.P.), Lake George, NY circa 1999

Here are a few tips to assist you in collecting your own kata souvenirs.

  • Wherever you travel perform your kata. For those readers that acquainted themselves with Sanchin Kata, perform Sanchin. (You may use this convenient link to acquaint yourself with Sanchin Kata https://senseijohn.me/sanchin-book/ ) Karate practitioners, please see the recommendations of the the “Kata Sommelier” below);
  • During your performance note the experience of your surroundings, what are the sights and smells? If barefoot, how does the ground feel (is it sandy, rocky, watery, etc). Pay attention to the weather conditions; was it hot, sunny, cold, rainy?
  • Remember the time of day of your performance; sunrise, midday, sunset, etc. Take notes of your experiences before and after the kata performance so that they will be associated with the kata;
  • If you are with someone, recall their presence during your kata;
  • If possible, to assist you, take a photo of a pose from your kata, video record the performance or simply jot down a few notes for future reference;
  • Remember that you interact with the environment during your kata performance, therefore, you leave a part of you in the environment. Thus, a part of you will always remain “on vacation” at that location.
  • Kata Sommelier: For my karate colleagues I would recommend that you perform a different kata at each of the various locations you visit this summer. This way a specific kata will be associated with a specific location, thus giving you a lasting “souvenir.”
Sanchin at the Lower Salt River, AZ

Sanchin at the Lower Salt River, AZ

Good luck and have a great summer collecting Kata souvenirs!

Here is a video of my most last kata souvenir filmed in 2014 amongst the wild horse herd at the Lower Salt River in the Tonto National Forest, Arizona.

In closing, I remain collecting my kata summer souvenirs.

HANKO-master

Sensei John Szmitkowski

KATA LAB  For a refreshing and innovative discourse on kata and bunkai, please feel free to visit Sensei John’s Kata Laboratory using this convenient link: https://senseijohn.me/category/kata-laboratory/
dreams-seisan  Sensei John is available his Kata Laboratory seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/

© Copyright 2015 Issho Productions & John Szmitkowski, all rights reserved.

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

You may wish to view my other blogs –
LOGO-WEBSITE   my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com
and
DOJO STICKER-1 the Goshin-Do Karate blog at http://defeliceryu.com

Kata Lab # 4210: Random Sanchin Kata

3 Nov

BUNKAI--beauty of move copy  “The beauty of a move is not in its appearance, but in the thought behind it.”

Chess Grandmaster Aron Nimzowitsch

 

 

KATA LAB

Precursor Labs:
Kata Lab: Reverse Sanchin Kata, link: https://senseijohn.me/2014/10/20/kata-lab-reverse-sanchin-kata/

Background:
This Kata Lab takes the Reverse Sanchin Kata Lab (a link is above) one step closer to its natural conclusion. The idea for this lab came to me while watching a chess tournament, the 2014 Sinquefield Cup held in St. Louis Missouri. For details, please use this link, Kata – My Curse? https://senseijohn.me/2014/09/22/kata-my-curse/

Experimental analysis (Recommended Reader Experimentation):

  • Perform the movements of Sanchin Kata spontaneously, in a random manner. Do not pre-plan your performance.;
  • This is extremely difficult. Even though the movements are performed in a random manner, they MUST be performed accurately, in the correct stance (for example, the three punches must be executed in a right sanchin stance);
  • You should perform your random Sanchin Kata with a partner observing. The partner must verify that all the movements were performed in the correct stance and the all movements are accounted for (for example, 3 right sanchin stances, 3 left sanchin stances, 2 mawaski-uke with tora-zuki, and the like). If you do not have a partner, you should record video of the performance. You can then watch the video to verify all movements were performed.
  • Once you achieve success, try performing the movements of Tensho Kata in random order.

For your consideration, I have prepared the following video of one example of Random Sanchin Kata, filmed in the spectacular Lower Salt River canyon, Arizona.

Points To Consider & Compare:
Please consider the following points and compare with the points I set forth in the Reverse Sanchin Kata Lab as follows:
In the Reverse Sanchin Kata Lab, I asked you to keep the following points in mind.
1. The movements of reverse Sanchin are calculated or intentional.

2. Even though the movements are performed in reverse order, the breathing pattern is exactly the same, to wit: a step & single move, a step and single move a step and a triple move, a step and a triple move, a step and a single move and a step and a single move.

3. Given the above, of the three battles of Sanchin (Physical, Spiritual and Environmental battles) only the Physical aspect of the kata is changed in reverse Sanchin.

Now, compare each point of reverse Sanchin to the random version of Sanchin.

1. The movements of random Sanchin are (and must be) utterly spontaneous.

2. As the movements are random, the breathing pattern varies with each random performance.

3. Given the above, both the physical and spiritual battles of Sanchin are affected. With increased development of the random Sanchin Kata, you will also affect the metaphysical battle. For those needed a refresher on my definition of the three battles of Sanchin, please see Endnote # 1.

4. Deeply reflect on the concept that although the movements were performed in random order, you can find a pattern hidden within your random Sanchin. For example, though unplanned on my part, the pattern hidden with my video taped performance is 1-3-1-1-3-1.

5. In the future, you can elongate the random Sanchin kata by stepping on each triple move. So, in lieu of remaining in a right sanchin stance for the three punches, you can perform each punch using a separate step BUT ALWAYS in a right sanchin stance. The 3 ridge-hand strikes performed in a left sanchin stances must be performed as separate steps to balance the kata. Notice that the intricacy of any hidden pattern is reduced, exempli gratia (e.g): 1-1-1-1-1-1-1-1-1-1.

6. Consider that mathematically, the 6 movements of Sanchin Kata can be performed in 720 random ways (expressed by the mathematical notation: 6! & formula: 1x2x3x4x5x6)

7. You may notice that with a “little” practice of Sanchin Kata, anyone, regardless of martial-arts experience can engage in bunkai (analysis of kata) as I had set forth in my article, Bunkai: A Dirty Little Secret, Link: https://senseijohn.me/2014/08/18/bunkai-a-dirty-little-secret/

Conclusion:
Once again, you get from Sanchin (and every other kata) exactly what you put into it. If you consciously (or unconsciously) put in boredom, stagnation and dullness, that is what you will receive in return. You set your kata boundaries and must live within them. If you are bored wit Sanchin and other kata, blame yourself. Period.
If you look at your kata with a wide open imagination, innovation and a pure spirit, you will always find more and more below the surface.

Please remember, the mandate of the kata laboratory is

lab-collage-6

Cum superiorum privilegio veniaque (“With the privilege and permission of the superiors”)

HANKO-master

Sensei John Szmitkowski

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ENDNOTES:

1. My definition of the three battles of Sanchin are the

  • Physical Battle, the physical movements of the kata;
  • Spiritual Battle, the manner in which Sanchin affects your mental, physiological and emotional state;
  • Metaphysical Battle, the manner in which Sanchin connects you with your external environment and how same affects you.

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

You may wish to view my other blogs –
LOGO-WEBSITE  my fishing blog combining martial arts protocol with fishing http://flyfishingdojo.com

and

DOJO STICKER-1  the Goshin-Do Karate blog at http://defeliceryu.com

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