Tag Archives: Kata In Nature

Sanchin In The Outermost House

22 Aug

There are many things I enjoy about summer; kata outdoors, going to the beach, riding my Indian (without freezing), and revisiting my annual “summer-reads.” There are a few books I enjoy re-reading during the summer, Hemingway’s “The Old Man and The Sea”, Nick Lyons’ compilation, “Hemingway On Fishing”, Thoreau’s “Cape Cod” and Henry Beston’s “The Outermost House.”

Recently I was at the beach in Asbury Park, NJ. My toes in the sand, time stood still. Hour after hour I floated in the cool blue waters of the Atlantic, performed Sanchin Kata in the sand and in the surf (a Sanchin Surf-N-Turf). Resting on my blanket under the shade of my umbrella, I re-read Beston’s “The Outermost House.” As always a few passages resonated deep within me. Including this one:

 “The world today is sick to its thin blood for lack of elemental things, for fire before the hands, for water welling from the earth, for air, for the dear earth itself underfoot.” (See Endnote # 1)

Time marched forward and all too soon it was time to pack and return home. There are certain inevitable natural and man-made forces that simply can’t be avoided. On such example is traffic on the Garden State Parkway. Somewhere around exit 130 it started. It was going to be a long trip home. Rather than let this inevitable fact dampen my beach rejuvenated spirit.

Asbury art – my “third-eye”

I reflected on how, over the years Sanchin Kata (and others) have maintained my connection with the natural environment. Unlike those other’s on the Parkway that angrily sat hating their fate, disconnected from nature, I am refreshed by my kata and elemental things.

A Sanchin pontoon boat ride with Miko (R.I.P.), Lake George, NY circa 1999

Let me share a few photos and videos with you. It is my hope that this will inspire you to learn not only Sanchin Kata, but also my method of moving meditation I call “Jiriki Kata-Do” (“The way of self-wellness through kata”). Hint – hint – I hope to have the latest manual on the newest techniques available by year’s end. Curious? Check out this link: https://senseijohn.me/2018/07/25/dont-read-this-unless/

Videos can be found on my FlyFishingDojo You-tube channel or the video page above.

 

Performing Sanchin I see a seagull fly past, Cape Cod, 2016

Highland Light Overlook, Cape Cod, 2014

I hope you remain connected to the elemental things.
Respectfully submitted,

Sensei John Szmitkowski

Endnote:

1. Beston, Henry, The Outermost House ( Henry Holt & Co, New York, NY, 1928) p. 10.

Seienchin Kata during Sturgis Bike Week, Badlands State Park, 2003

   For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/
My seminars are the ONLY seminars that allow you to pay at the conclusion, thus insuring your complete satisfaction!

  For a refreshing and innovative discourse on kata and bunkai, please feel free to visit Sensei John’s Kata Laboratory and “THINK * SWEAT * EXPERIMENT” using this convenient link: https://senseijohn.me/kata-lab/

© Copyright 2018 Issho Productions & John Szmitkowski, all rights reserved.

Kata Lab # 1240: Kata – A Flowing River

28 Mar

“You could not step twice into the same river; for other waters are ever flowing on to you.” – Heraclitus

Background:

This is the only Kata Lab that will be be able to complete. You will fail at the objective. Not for lack of skill, or desire. It is utterly impossible to perform this Kata Lab.
There is a maxim in karate-do, “Perfect your kata.” Many teachers and masters utter this to their students who do no more than nod their head like a bobbled head on a car dashboard. The students then go and set about to perfect their kata. What rubbish. I submit that you can never perform the exact same kata twice. Thus, a kata cannot be perfected. You can perform a reasonable facsimile of the same kata. “Top-rated” tournament kata practitioners may achieve a level of performance similarity in their chosen one or two tournament kata. But, they too, will fail in trying to perform the exact same kata twice. The unsophisticated kata practitioner, particularity those that train one or two kata for tournament similarity will disagree, perhaps vehemently with my statement. Why? “Does not the fact that they consistently win trophies with their few chosen tournament kata demonstrate that their level of performance is homogenous? Perhaps, but only to those who only understand kata superficially.

If you understand kata within the context of the three aspects that I submit are present in kata, then you can see how it is utterly impossible to perform the same exact in the exact same manner twice, even in a lifetime. Also true is the idea that performing a kata that is mostly (90 percent or more) similar is a profound accomplishment.

Experimentation:

You may wish to video tape yourself performing this experiment. After your practice, you can then refer to the video and take notes as to each performance. You should note any dissimilar areas during each performance. The less dissimilar areas, the closer you are to having performed the same kata twice. (Alternatively, you may wish to take notes after each kata performance for your later review.)
Select your favorite kata to practice;
Over a period of a few days or a week, practice the kata two or three times, trying to perform a kata exactly the same way;
After doing so, analyze each performance. Take notice of those areas of the kata that differ from one performance to the next. How close did you get to performing the same kata twice?

Regardless of whether or not you notes indicate that you came close to performing the same kata in the exact same manner (very few notes as to dissimilar areas). You utterly failed this kata lab. Worse is if your notes indicate that all areas of the kata were similar on at least two occasions; for you truly do not understand my three levels of kata.

First and foremost (as my father would say), “I bet you a dollar to a donut” that your list only addresses the physical movements of the kata. A block or strike that may have been off target, a stance that was less than perfect or a kata cadence that lacked the correct timing. As such, you only understand and thus, addressed one-third of the overall kata experience. (You may wish to pause and refer to my article on the three aspects of kata using this link: https://senseijohn.me/2013/05/20/kata-lab-101-three-states-of-bunkai/

Second, my spiritual aspect of kata (the manner in which kata affects your state-of-mind, emotions and psyche and vice-versa) is fatal to your performing the exact same kata twice. Our mental state is too much in flux to maintain it through various kata performance. Yes, you may convince yourself that during your kata you maintained all the applicable martial arts mind states. Sure, you may feel you achieved, Mushin, Zanshin, Nenjuushin and all the other “shins” of kata. But, you’re fooling yourself. Your emotions and psyche change from one moment to the next within a single kata performance, let alone from one kata performance to the next. (Endnote # 1 describe an example)

Third, my environmental aspect of kata (how the external environment affects your kata and vice-versa) will frustrate your attempts to perform this kata lab. If you practiced your kata in different locations, then by definition, you did not perform the exact same kata twice. If; however, you performed this lab in the exact same location, you still performed in in a different external environment and therefore failed to perform the exact same kata twice. You cannot control the temperature, humidity, dust and dirt on the floor, clothing (yes, different clothes affect you kata, even your gi, which may be dry at the start of practice and soaked with sweat at the end will produce a different performance).

Now, having the benefit of the above, try to perform the exact same kata twice and see how utterly impossible it is.

Conclusion:

You can perform the same kata twice, but no two will ever be exactly alike. This is not an error, but a unique phenomenon of kata. Thus, you can never perfect your kata. You can; however, achieve a goal set by Coach Vince Lombardi for his Green Bay Packers football team, “We will strive for perfection knowing full well we will never achieve it, but in the process we will find excellence.” So, rather than perfect your kata, excel at your kata.

In a lifetime no kata will be exactly the same.
To perform a kata the exact same way twice, you must repeat, without change all three aspects:
physical aspect – all movements performed with kime intensity, speed, tempo, etc;
spiritual aspect – all movements performed with the same emotion (at the same point in the kata each time), with the same state of mind, with the same transition from emotion to emotion or state-of-mind to state-of-mind (this may even be required by the specific kata)
environmental aspect – the environment within which your kata is performed must remain constant (absent a “clean” room) this is impossible – air changes and flows, light changes, temperature varies even slightly. Even if such factors are “controlled”, nature will win out (for example, it takes 8 seconds for a photon of light to leave the Sun and reach earth, therefore, lighting for each kata will be different.

The key of this Lab is to understand that each and every kata performance is as fleeting and rare as each and every moment of life itself. You cannot take a kata for granted. The same is true of each and every moment of life.

Please remember, the mandate of the kata laboratory is

Cum superiorum privilegio veniaque (“With the privilege and permission of the superiors”)

Sensei John Szmitkowski

Featured video from my “Underground Bunkai” series:

   For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/
My seminars are the ONLY seminars that allow you to pay at the conclusion, thus insuring your complete satisfaction!

© Copyright 2018 Issho Productions & John Szmitkowski, all rights reserved.

You may wish to view my other blogs –
 my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com
and
 the Goshin-Do Karate blog at http://defeliceryu.com

My Black Belts Stole From Me – A Thieving Tradition

28 Feb

A Black Belt must have the utmost integrity. Having said that, I will confess that my students “stole” from me. After the “theft” they still earned a black belt! Further, the “theft” was committed with my blessing.

In my opinion the worst form of “paying” for the gift of karate-do education is money, currency, cold-hard cash (or debt card in these modern times). I’ve had students that could not afford monthly dues, help teach, clean the dojo and even cook a few dinners. In this way, my students became equal with me as Sensei in that we each gave of ourselves. This is more valuable than the cheapness of currency.

But, is it proper to steal from Sensei?

Sometime in 1998, I made a decision concerning a group of four brown belts training at the Issho Dojo. In order for them to pass their test for ni-kyu, (brown belt, two stripes) they would have to learn Gojushiho Kata. In devious fashion, I told them that I would not teach them the kata.

This posed a problem. They had to learn the kata for the next rank. If I would not teach it to them, how would they learn it?

In those days, there were no You-tube GDK-D Gojushiho videos (like this one featuring archival footage from the 1960’s to 2012 where I perform Gojushiho in a snowstorm):

The four arrived at the dojo for the next class. Before class, I casually mentioned that I was going to the nearby park to “clear my head.” I did this for the next three classes. The brown belts became curious.

One night after I went to the park, they waited about ten minutes and followed. They stood at the edge of the park and watched me. They saw me repeatedly practice a kata that they did not know. I noticed them and practiced the first four moves of the kata again and again After fifteen minutes of performing the opening sequence, I walked to the edge of the park. Together, we silently walked back to the Dojo.

The next night I repeated my routine. Again, they waited and walked to the park. I repeatedly practiced the first four moves. This time they only watched for about ten minutes and hurried back to the dojo. After about fifteen minutes I returned to the dojo but did not enter. I surreptitiously peaked into the Dojo window. The four of them were hard at work practicing what they observed me doing. Each watched the other and reached a consensus as to the correctness of what they saw.

On my next pre-class visit to the park, I would slowly and in an exaggerated manner practice movements that they did not quite “steal” correctly. I would also slowly add movements and sequences.

During class, I would give them “strange” kumite drills, self-defense and heavy bag combinations. These drills and combinations came from future kata sequences. They were using kata applications to steal the kata.

This went on for about five months. They were stealing from me; however, they did not know exactly what they were stealing. One night during formal class, I asked the four brown belts to join me in performing Gojushiho Kata. The brown belts looked at each other. “But Sensei, you told us that you would not teach us the kata.” “That’s true,” I said, “But I did let you steal it from me.” “Now, let’s see what you stole.” The four brown belts joined me in performing the kata.

They learned Gojushiho Kata by “stealing” it. They were the first kata-thieves of GDK-D.

Shihan DeFelice first opened the door in May of 1965 and since then GDK-D has been continuously taught. Many students walked into the dojo. Less than thirty made black belt. So, compared to the overall number of students that started GDK-D, very few learned Gojushiho Kata. I could not allow myself to teach such a rare kata for something as worthless as money, but, I could allow it to be stolen from me.

The four brown belts were promoted to sho-dan (first degree black belt) in January, 2000. I made each of them promise me that they would not teach any future student Gojushiho Kata. It must always be stolen. With that promise, a new tradition was born – a future black belt must be a thief; and Gojushiho Kata is the desired object.

Shihan Paul Recchia, Myself & The “Kata-Thieves” at their Black Belt Promotion

Respectfully submitted,

Sensei John Szmitkowski

 

     For a refreshing and innovative discourse on kata and bunkai, please feel free to visit Sensei John’s Kata Laboratory and “THINK * SWEAT * EXPERIMENT” using this convenient link: https://senseijohn.me/kata-lab/

Here’s my latest Kata Lab video filmed 0n beautiful Cape Cod bay

© Copyright 2018 Issho Productions & John Szmitkowski, all rights reserved.

You may wish to view my other blogs –
   my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol to fishing http://flyfishingdojo.com
and
 the Goshin-Do Karate blog at http://defeliceryu.com

Kata Lab # 3250 – Kata Within You – Intermediate

31 Jan

As a scientist I’d rather have questions I can’t answer than answers I can’t question.” – Max Tegmark, Physicist (appearing on “How The Universe Works,” Season 6, Episode 1: “Are Black Holes Real?”)

Background:

This Kata Lab builds on the concepts I set forth in Kata Lab # 2250 – Kata Within You – Introduction – https://senseijohn.me/2017/08/30/kata-lab-2250-kata-within-you-introduction/

Kata is always within you.
In fact, you intentionally train to have kata within you. If a time comes when you are confronted by an attacker, kata rises to the surface and you can successfully defend yourself. The kata sequences that you instinctively use in your defense will vary based upon a great number of circumstances. This kata lab explores that actuality.

In September 2017, had my annual visit to Cape Cod, Massachusetts. As always, I combined my vacation with training, writing and video of kata. I decided to spontaneously create a kata that would represent my feelings being on Cape Cod. As you can see in the video below, the bay that day was calm; however, the day before was windy and the bay was filled with white caps. I wanted to perform a kata t capture that feeling.

The easy choice would have naturally been Seienchin (“Calm in the storm / Storm in the calm”) but that would not have been a spontaneously created kata. I did; however want to incorporate a movement or two from Seienchin but not let it over-power the kata created. I thought I would uses sequences from Sanchin, Suparunpei and Seipai Kata to round off a symbolic kata. A deep breath and – P’Town Kata (for Provincetown where I was staying) was born. I hope you enjoy the video.

Now, how to do the – – –

Experiment: (To assist you I have a video that follows the protocols):

  • Review my comments in above, use it as a guide to formulate what you hope to “accomplish” in performing the kata.
  • Do not pre-select a specific kata for this lab; rather think about a few sequences from kata that you may wish to randomly group together;
  • Do not “spontaneously” perform your “favorite” kata. To do so defeats the As
    you go about your day be aware of the fact that your kata is brewing
    inside you,waiting to let itself out;
  • At a random point in time (you may also use a timer as in previous kata labs), let
    the kata out. Group the sequences that you had thought to combine – just let i it
    flow! For now don’t worry about symmetry or positional coincidence. Just let the
    kata flow;
  • The kata that bursts forth from within you should be as random as possible based
    upon your physical and psychological needs at the time.

Conclusion:
This Kata Lab is designed to bridge te gap between the Introductory Kata Lab contained in the “Background” and a more advanced Kata Lab (which will be released at a later date).

I think it will be fun and challenging and give you a look in to my Kata Lab motto of – “Think-Sweat-Experiment” with Kata

This week’s featured video provides another example of spontaneously performing kata. It is a kata I created on cold morning during my 2013 road trip from Arizona to New Jersey. It is the first kata on the video below and was filmed by my truck’s headlights; enjoy.

Cum superiorum privilegio veniaque (“With the privilege and permission of the superiors”)

Sensei John Szmitkowski

  For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/

© Copyright 2018 Issho Productions & John Szmitkowski, all rights reserved.

You may wish to view my other blogs –
 my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com
and
 the Goshin-Do Karate blog at http://defeliceryu.com

Kata – A Perfect Summer Souvenir

21 Jun

Ah, summer is here!

A time when many of us travel. Whether we journey to an exotic location for an extended stay, simply indulge ourselves in a long weekend, or take the refreshing day trip, a hallmark of summer is travel. In an effort to preserve our experiences, such travel usually involves the ritual of obtaining souvenirs. Here is a simple way to collect a souvenir for no financial cost; the sole cost may be expressed in terms of a little sweat.

Seienchin Kata, Badlands, SD, Circa 2004 – Sturgis Motorcycle Rally.

Since I was first introduced to the concept at ten years old by Sensei Nock D’Antuono, I have always enjoyed performing kata outdoors in any location. I can unabashedly admit that I prefer to perform kata in the magnificence of Nature’s Dojo instead of the relative sterility of a traditional dojo. To be sure, the traditional dojo carries an aura and mystique for me, but, I carry such a dojo in my heart and prefer to exhibit it in nature.

Tensho Kata practice, Cape Cod, MA, circa, 1999

For decades, I have collected kata souvenirs of my many travels. Much like looking through a photo album, I am able to revisit my travels by recalling them while performing my kata. Regardless of my present location, I can perform a kata and recall a memory of performing the kata at a different time and in a different place.

A Sanchin pontoon boat ride with Miko (R.I.P.), Lake George, NY circa 1999

Here is a video of my most last kata souvenir filmed in 2014 amongst the wild horse herd at the Lower Salt River in the Tonto National Forest, Arizona.

Here are a few tips to assist you in collecting your own kata souvenirs.

  • Wherever you travel perform your kata. For those readers that acquainted themselves with Sanchin Kata, perform Sanchin. (You may use this convenient link to acquaint yourself with Sanchin Kata https://senseijohn.me/sanchin-book/ ) Karate practitioners, please see the recommendations of the the “Kata Sommelier” below);
  • During your performance note the experience of your surroundings, what are the sights and smells? If barefoot, how does the ground feel (is it sandy, rocky, watery, etc). Pay attention to the weather conditions; was it hot, sunny, cold, rainy?
  • Remember the time of day of your performance; sunrise, midday, sunset, etc. Take notes of your experiences before and after the kata performance so that they will be associated with the kata;
  • If you are with someone, recall their presence during your kata;
  • If possible, to assist you, take a photo of a pose from your kata, video record the performance or simply jot down a few notes for future reference;
  • Remember that you interact with the environment during your kata performance, therefore, you leave a part of you in the environment. Thus, a part of you will always remain “on vacation” at that location.
  • Kata Sommelier: For my karate colleagues I would recommend that you perform a different kata at each of the various locations you visit this summer. This way a specific kata will be associated with a specific location, thus giving you a lasting “souvenir.”

Sanchin at the Lower Salt River, AZ

Good luck and have a great summer collecting Kata souvenirs!

Here is a video of my Shobu Sanchin Kata while being watched by vultures.

In closing, I remain collecting my kata summer souvenirs.

Sensei John Szmitkowski

     For a refreshing and innovative discourse on kata and bunkai, please feel free to visit Sensei John’s Kata Laboratory using this convenient link: https://senseijohn.me/category/kata-laboratory/
  Sensei John is available his Kata Laboratory seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/

© Copyright 2017 Issho Productions & John Szmitkowski, all rights reserved.

You may wish to view my other blogs –
   my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com
and
 the Goshin-Do Karate blog at http://defeliceryu.com

Sea-Monsters . . . “Thats OK”

10 Aug

Men really need sea monsters in their personal oceans.
For the ocean, deep and black in depths, is like the low dark levels of or minds in which the dream symbols incubate and sometimes rise up to sight. . . And even if the symbol vision is horrible, it is there and it is ours. An ocean without its unnamed monsters would be like a completely dreamless sleep. (See Endnote # 1)

HUMPBACK-3       Although we like to think of our world as one of harmony, it is in fact a balance of chaotic, opposing forces – hot/cold, large/small, active/passive, joy/sorrow, good/evil and the like. We desire harmony in our lives. Such harmony is only possible when we recognize the opposing forces that lie without and within ourselves. We may have little influence over the factors that are external to ourselves, but we can directly influence the factors that lie within ourselves. To do so, we must not desire to suppress them, rather, we must recognize the darkness, the sea-monster, if you will, that lies within us. Once recognized, such sea-monsters can be dispelled. To this end, I offer this “. . . thats OK” (Online Kata) session.

Tensho Kata practice, Cape Cod, MA, circa, 1999

Tensho Kata practice, Cape Cod, MA, circa, 1999

Remember, the group dynamic is not fulfilled by all of us being geographically present, rather, it is fulfilled by each of us performing Sanchin in the proscribed manner.

Session Parameters:
Week Of: Monday August 10th, 2015;
Time: any convenient, quiet time for introspection;
Location: Preferably an outdoor location and if at all possible, by the sea or other body of water;
Recommended Kata: For those non-martial artist readers that have learned Sanchin, perform Sanchin. For Karate readers in addition to Sanchin, you may also wish to perform Seienchin or Suparunpei (Pechurin) Kata;
Salient Points:

  • Prior to practice, re-read the above passage;
  • If you perform the 4-direction Sanchin, during the shobu performance, be aware of the negative aspects of your personality and psyche. Recognize these negative aspect and dispel them during the shobu-Sanchin. As you perform the relaxed Sanchin, recognize the positive aspects of your being and nurture them;
  • As you perform the recommended kata,, during the hard, tense exhalation, be aware of the negative aspects of your personality and psyche. Recognize these negative aspects and dispel them during exhalation. As you inhale with a relaxed body, recognize the positive aspects of your being and nurture them;
  • After your performance, again read the above passage and consider the “sea monsters” (negative aspects) that dwell within you.” Remember that even if these “sea-monsters” are dark and deep, they are yours. Recognize them and work to positively change them. For without these “sea-monsters” you would be empty, “like a dreamless sleep;”
  • Change the negative aspects into a positive force in your life and enrich yourself in the process;
    You should reflect deep and well on the above;
  • The last requirement of this “Thats OK session is to remain in a state of “Zanshin” (the “remaining mind”).
  • Once again, you may wish to not only perform this session as scheduled, but may wish to incorporate it into your regular practice.

Here is my “Sea-Monster” Seinchin Kata filmed in the Atlantic Ocean off the coast of Cape Cod, MA in 2012:

shark sign   In closing, I remain aware that sea-monsters do exist and reside within all of our personal oceans,

HANKO-master

Sensei John Szmitkowski

ENDNOTES:
1. John Steinbeck, The Log Of The Sea Of Cortez (Penguin Books, New York, NY) p.27-28.

sunsu-2   For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/

KATA LAB   For a refreshing and innovative discourse on kata and bunkai, please feel free to visit Sensei John’s Kata Laboratory and “THINK * SWEAT * EXPERIMENT” using this convenient link: https://senseijohn.me/kata-lab/

© Copyright 2015 Issho Productions & John Szmitkowski, all rights reserved.

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

You may wish to view my other blogs –
LOGO-WEBSITE   my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com
and
DOJO STICKER-1 the Goshin-Do Karate blog at http://defeliceryu.com

Kata – Summer’s Souvenir

15 Jun

dreams-seisan               Ah, summer is here!

A time when many of us travel. Whether we journey to an exotic location for an extended stay, simply indulge ourselves in a long weekend, or take the refreshing day trip, a hallmark of summer is travel. In an effort to preserve our experiences, such travel usually involves the ritual of obtaining souvenirs. Here is a simple way to collect a souvenir for no financial cost; the sole cost may be expressed in terms of a little sweat.

Seienchin Kata, Badlands, SD, Circa 2004

Seienchin Kata, Badlands, SD, Circa 2004

Since I was first introduced to the concept at ten years old by Sensei Nock D’Antuono, I have always enjoyed performing kata outdoors in any location. I can unabashedly admit that I prefer to perform kata in the magnificence of Nature’s Dojo instead of the relative sterility of a traditional dojo. To be sure, the traditional dojo carries an aura and mystique for me, but, I carry such a dojo in my heart and prefer to exhibit it in nature.

Tensho practice, Cape Cod, MA, Circa. 2001

Tensho practice, Cape Cod, MA, Circa. 2001

For decades, I have collected kata souvenirs of my many travels. Much like looking through a photo album, I am able to revisit my travels by recalling them while performing my kata. Regardless of my present location, I can perform a kata and recall a memory of performing the kata at a different time and in a different place.

A Sanchin pontoon boat ride with Miko (R.I.P.), Lake George, NY circa 1999

A Sanchin pontoon boat ride with Miko (R.I.P.), Lake George, NY circa 1999

Here are a few tips to assist you in collecting your own kata souvenirs.

  • Wherever you travel perform your kata. For those readers that acquainted themselves with Sanchin Kata, perform Sanchin. (You may use this convenient link to acquaint yourself with Sanchin Kata https://senseijohn.me/sanchin-book/ ) Karate practitioners, please see the recommendations of the the “Kata Sommelier” below);
  • During your performance note the experience of your surroundings, what are the sights and smells? If barefoot, how does the ground feel (is it sandy, rocky, watery, etc). Pay attention to the weather conditions; was it hot, sunny, cold, rainy?
  • Remember the time of day of your performance; sunrise, midday, sunset, etc. Take notes of your experiences before and after the kata performance so that they will be associated with the kata;
  • If you are with someone, recall their presence during your kata;
  • If possible, to assist you, take a photo of a pose from your kata, video record the performance or simply jot down a few notes for future reference;
  • Remember that you interact with the environment during your kata performance, therefore, you leave a part of you in the environment. Thus, a part of you will always remain “on vacation” at that location.
  • Kata Sommelier: For my karate colleagues I would recommend that you perform a different kata at each of the various locations you visit this summer. This way a specific kata will be associated with a specific location, thus giving you a lasting “souvenir.”
Sanchin at the Lower Salt River, AZ

Sanchin at the Lower Salt River, AZ

Good luck and have a great summer collecting Kata souvenirs!

Here is a video of my most last kata souvenir filmed in 2014 amongst the wild horse herd at the Lower Salt River in the Tonto National Forest, Arizona.

In closing, I remain collecting my kata summer souvenirs.

HANKO-master

Sensei John Szmitkowski

KATA LAB  For a refreshing and innovative discourse on kata and bunkai, please feel free to visit Sensei John’s Kata Laboratory using this convenient link: https://senseijohn.me/category/kata-laboratory/
dreams-seisan  Sensei John is available his Kata Laboratory seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/

© Copyright 2015 Issho Productions & John Szmitkowski, all rights reserved.

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

You may wish to view my other blogs –
LOGO-WEBSITE   my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com
and
DOJO STICKER-1 the Goshin-Do Karate blog at http://defeliceryu.com

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