Notwithstanding my five decades of Karate and my over two decades of exploring Katannabis, I still memorialize my daily Katannabis session. Albeit, my session notes are rough. At a minimum the notes contain basic information as to the fundamentals of the session parameters. Namely, inter-alia, the strain of flower utilized, the dosage and frequency of cannabis, the type of incense or music, if any, the Kata performed and the order of performance.
Using the parameters as a foundation, I then build my Katannabis session notes by memorializing my experiences, insights and inspirations as they occur to me. By spontaneously doing so, I am able to capture the essence of my Katannabis, without thought or preconception. This provides me with the purest documentation for further analysis, meditation and reflection. The “follow-up” considerations I do both while under the influence of the Katannabis cannabis entheogen and without same.
I highly encourage you to maintain your own Katannabis journal. It is very important in early stages of Katannabis. I don’t think you can have a rewarding Katannabis experience without documenting your steps along the way. Trust me, your notes will be necessary as you modify your Katannabis syllabus. To this day, two decades later, though I have a core of Kata within my Katannabis syllabus, I still make adjustments to the order in which they are performed and other such adjustments. It is in the modifications that your experiences become heightened.
In addition, when you have a Katannabis experience, you want to document not only the experience but the conditions that gave rise to it. This serves a two-fold purpose. If the experience is positive, you will want to replicate it. If an experience cannot be replicated then it may not be an epiphenomenon of your Katannabis. It may simply be a one-time coincidence.
If, on the other hand, your experience is one that is unpleasant, and “Yes,” you will have such an experience. You will want to fully understand the experience and the manner in which it arose. Then you can make an informed decision as to whether such an experience was an epiphenomenon of your Katannabis and if so, how to avoid it.
I know this sounds a bit like school and homework. You can make the process enjoyable. I love the feel of writing with a fountain pen, so I keep my pens handy during Katannabis. Each pen is filled with its own unique ink which adds to the enjoyment. I also include little sketches and diagrams. An artist I am not, but again, this adds to the overall experience. In fact, I look at the journaling process as a “Kata” within my syllabus. And, “Yes,” the act of writing can be looked at as a Kata.
Katannabis ritual meditation is a serious endeavor. That being said, in addition to be enlightening, thought-provoking and eye-opening, it should be enjoyable. In my experience, I find the act of memorializing my experiences adds to such enjoyment. Have a puff or an edible, do you Kata and get out that pen and paper. Until next time,
Cum superiorum privilegio veniaque *
Sensei John Szmitkowski
* (with the privilege and permission of the superiors)
It’s been quite a while since I posted a journal entry. Frankly, and I don’t know why, I’ve felt compelled to disseminate as much information as possible as to the process of developing your own Katannabis. The result is this new resource section https://senseijohn.me/2023/02/13/katannabis-syllabus-resources/ . This link has all your Katannabis resources.
For this journal entry, I’d like to share with you a few of my raw journal notes.
I keep a pad and my beloved fountain pens handy during all of my Katannabis sessions. I want to contemporaneously memorialize my observations and experiences while I am within the throes of the session. After I complete the session, I make my final notes. On a weekly basis I compile all my raw notes and make a list of those areas that require a more detailed exploration. In my experience, topics such as “time-slip,” “spatial distortion,” and the “Mandala-effect,” to name a few are a direct result of this process.
My detailed notes are then filed into one of my many Katannabis three-ring binder type notebooks. These notebooks are organized generally as to the substantive process of Katannabis, effects and experiences of Katannabis, “higher dimensional” notes, psychic self-defense notes and other highly advanced Katannabis experiences.
I highly encourage you to maintain your own Katannabis journal. It is very important in early stages of Katannabis. I don’t think you can have a rewarding Katannabis experience without documenting your steps along the way. Trust me, your notes will be necessary as you modify your Katannabis syllabus. To this day, two decades later, though I have a core of Kata within my Katannabis syllabus, I still make adjustments to the order in which they are performed and other such adjustments. It is in the modifications that your experiences become heightened.
In addition, when you have a Katannabis experience, you want to document not only the experience but the conditions that gave rise to it. This serves a two-fold purpose. If the experience is positive, you will want to replicate it. If an experience cannot be replicated then it may not be an epiphenomenon of your Katannabis. It may simply be a one-time coincidence.
If, on the other hand, your experience is one that is unpleasant, and “Yes,” you will have such an experience. You will want to fully understand the experience and the manner in which it arose. Then you can make an informed decision as to whether such an experience was an epiphenomenon of your Katannabis and if so, how to avoid it.
I know this sounds a bit like school and homework. You can make the process enjoyable. I love the feel of writing with a fountain pen, so I keep my pens handy during Katannabis. Each pen is filled with its own unique ink which adds to the enjoyment. I also include little sketches and diagrams. An artist I am not, but again, this adds to the overall experience. In fact, I look at the journaling process as a “Kata” within my syllabus. And, “Yes,” the act of writing can be looked at as a Kata.
Katannabis ritual meditation is a serious endeavor. That being said, in addition to be enlightening, thought-provoking and eye-opening, it should be enjoyable. In my experience, I find the act of memorializing my experiences adds to such enjoyment. Have a puff or an edible, do you Kata and get out that pen and paper. Until next time,
Cum superiorum privilegio veniaque *
Sensei John Szmitkowski
* (with the privilege and permission of the superiors)
There is a unique characteristic of traditional karate katana called “positional coincidence” (hereinafter “PC”). PC is the term I use to describe the characteristic that traditional karate kata begin and end at the exact same point on the ground. There is a loose philosophical linch pin that grounds this concept.
The idea is that you travel through life and encounter a challenge, in the case of kata, a physical confrontation. You defend against that challenge or confrontation, represented by the performance of the kata. Once complete you again begin your life at the exact same point wherein you encountered the challenge. You resume your life as if the challenge, being so trivial, did not interfere with it.
For many years, I have been reflecting upon the philosophy of PC. I have a working hypothesis that PC is not truly accurate. You do not simply resume your life after a challenge. Rather, you are better off and enriched by meeting the challenge and overcoming it. For this reason, in the mid-2000’s began to advocate the idea that once a kata is completed, you should move an inch forward. This one inch differential symbolizes this enrichment – You are better off for performing the kata then if you did not. See, for example, the following article from April, 2014 for my “Sanchin-For-Everyone-One students.” https://senseijohn.me/2014/04/06/one-inch-thats-ok/
During this time, I seriously began documenting, codifying and memorializing my research and experiments with Katannabis.™ I created the Sanchin-Dai Kata (“Great Three Battles”) as part of an experiment into the “Prayer-effect” of Kata. The prayer-effect is one means of attaining the ultimate experience of Katannabis meditation – the attainment of first a higher state of physical being and second experiencing the higher dimensional states first hand.
At the end of the Sanchin-Dai Kata, the performer has a choice to make. The performer can spiritually choose to ascend to a higher state of consciousness or higher dimensional state. If so, the performer would step forward on the last three steps of the Kata, thus completing the Kata forward of his start position. This avoidance of PC symbolizes the ascension. If; however, the performer choose not to ascend, but remain in this plane of existence, albeit it in a higher state of consciousness, then they would step back. Thus positional coincidence would be maintained. You can view some of my notes below (See endnote # 1).
This may seem trivial, but seven years later, as I continue to practice, evolve and memorialize my Katannabis research, this relatively simple adjustment has come to represent a greater significance than I originally hypothesized. But, that is for a much later. Time. Honestly, you are not ready for that level – yet. (See Endnote # 2) For now, try my little PC experiment as part of your own kata-meditation, or begin your Katannabis journey today for FREE – see the link in the notes.
1. My desire to memorialize and sometimes publish my findings is tempered by a nagging feeling that by publishing my experiences, I am trivializing them by making them too easily attainable. To put my concerns at rest, I’m not going to re-type my notes. Rather, I simply going to upload them as Jpegs. You’ll have to go through the “effort” of clicking on the to read. That may dissuade all those save those who are really interested in probing the profound meditative effects of Katannabis. All others, press the “escape” button and click off this site then go purchase your self-help books, crystals, new yoga pants and incense. This isn’t for you.
2. “The threshold of the Unseen is a treacherous coast on which to bathe. There are potholes and currents and quicksand. The strong swimmer (an adept at Katannabis) Amy venture in comparative safety. The non-swimmer (ignorant of Katannabis) who takes counsel of nothing but his own impulses, may pay for his temerity with his life. . . Psychic Self-Defense, Edith Fortune, E-Book, Chapter I.
Time-slip is a name I created to describe one of Katannabis’ earliest experiential phenomenon. Together with a phenomenon I call “spatial distortion,” time-slip is one of the first epiphenomenon of Katannabis meditation that you will experience.
I first encountered time-slip while performing the mandala sequences of Suparunpei Kata. In very general terms, time-slip is the perception of an alteration of time as normally experienced otherwise. This can be a perceived slowing or quickening experience of time. It can also be the feeling of “lost” or “forgotten”time. I’ll give specific examples of each in a later submission. For now, I’d like to offer a few preliminary comments.
As always, don’t let my experiences skew yours. My experiences and observations should only provide a framework upon which to build your own. It is for this reason that your should keep a journal of your experiences, preferably while still under the effects of a Katannabis session.
You must keep in mind a few rudimentary facts about time. They are provided to make you think about your own experiments and experiences with time as it relates to your Katannabis meditation. Let these comments and your experiences motivate you to conduct more external (science based) research into the topic of time. This will ultimately deepen and enrich your Katannabis ritual mediation. Be intrigued! For example, I’ve attached a photo of my personal notes from a “Time Dilation” video from the World Science Festival. Really interesting stuff especially when you start to put that within the context of your Katannabis.
For this brief introductory article there are two points to bear in mind about time. The first point is a physical one. Time is subject to “dilation.” That is to say: The faster you move through space, the slower you move through time.”
The second point is a non-physical one. Time is a memory (past), a perception (current) and an anticipation (future). It is the merging of these three events that gives us the impression of a so-called “arrow of time.” I think, repeat, think, that it is this arrow of time that is “slipped” as your perform your Kata during a Katannabis session. My hypothesis is that you become so in the “now” that the memory of the move you just performed (past) is lost as soon as it is performed. You become so entangled with the current move (present) that there is no anticipation of the next move (future). Your body is merely on autopilot through the Kata. Your mind is divorced from the process – it is freed. (See Endnote # 1).Thus, I hypothesize, you no longer experience an arrow of time. (See endnote # 2).
Merge the above two points on time together and consider – You are moving through space, thus a very, very small dilution of time – imperceptible, but exists on some scale, measurable. The sequences themselves are the “snapshots” not “video” thus, all moves are present at the same time, regardless of appropriate sequences. Kata combined with the entheogen, cannabis, also effects directly your ability to perceive time. And there you go. A brief introduction to the epiphenomenon I call “time-slip.” In the next article on the topic, I’ll share with you some of my personal experiences of time-slip. In doing so, I will provide you with an indicia of what to expect so that you can recognize your own perception of time-slip as it manifests in your Katannabis.
Cum superiorum privilegio veniaque *
Sensei John Szmitkowski
Endnotes:
*with the privilege and permission of the superiors
1. This is a drastically different experience from performing a Kata with a martial intent. In that performance, the overriding principle is one of “Zen-Ken-Ichi,” “Mind and fist are one.” Whereas in Katannabis, with the assistance of the cannabis entheogen, the mind, spirit, soul, whatever you wish to call it is separated from the body so as to vibrate to a higher dimension. This “time-slip” is encountered.
2. Experientially, I can say that my Kata becomes one of those picture books of static sequential images that you flip to create movement. That is to say the Kata is not a video, but rather multiple static images.
Science is in agreement, at least until a new theory is agreed upon, that the universe started with a “Big-bang.” The Big Bang Theory essentially holds that our universe was once an infinitely small point of potential, a singularity.
Katannabis and Kata-Rx also started out as a singularity; a single point of energy-potential. So, what is the singularity, compressed energy potential, of Kata? And by extension, Katannabis?
The answer is – Zazen! Yes, seated meditation!
The analysis of my hypothesis begins with the idea that there are Kata said to be hidden within other Kata. Gekisai Kata is hidden within Fuku Kata. Any Kata with a “dai” suffix is hidden within a Kata with a “sho” suffix. If you understand that then you can extrapolate that in so far as the three battles of Sanchin Kata are found within all Kata * Then you can say that all kata are hidden within Sanchin. It is then asked – Within what is hidden Sanchin Kata?
The answer is Zazen – the three battles are found, even if only by minute analysis, within Zazen – you must breathe, move your body, though seated the body still moves on a microscopic cellular level, and state of mind is actually Mushin – no state of mind. By extension, Zazen is also a physical state, a spiritual state and a metaphysical state. Thus, no matter how they are delineated, Zazen encompasses all three battles of Sanchin.
Sanchin Kata is hidden in Zazen (seated meditation),
All Kata are hidden in Sanchin Kata,
Therefore: All Kata are hidden in Zazen.
Now – go practice your Katannabis and think deeply on this.
The last level at last. Level VI is the level that I call, “Level/No-Level.” Level/No-level is a nod towards the state-of-mind known as Mushin/No-Shin, “Mind-no mind.” Level VI is a level in an of itself, but isn’t. It is active but static, physical but non-physical. It will have two kata. The first is the omnipresent, primordial Kata, Sanchin. Books, volumes and volumes of books can (and should) be written on Sanchin. In fact there will be very detailed discussion of Sanchin further on. Want a hint at the esoteric, just search Sanchin in this sites search bar and see what I’ve previously written about this remarkable Kata. Within the context of Katannabis, Sanchin shines and reveals its deepest, sometimes darkest secrets.
If you do not already know Sanchin – learn it. At age eleven when I first encountered Sanchin Sensei told me it was “moving meditation.” Trust me Sensei himself had no idea. Now, at age sixty-two, with Katannabis, I am finally exploring its true hidden, dare I say Divine, aspects.
The level goes from “moving meditation” to conclude with Zazen, seated mediation. For now, understand that Zazen is analogous to the universe’s so-called “big-bang.” The point at which everything started – the point of compressed potential. I’ll explore more, but for now understand that Zazen is the “big-bang” of every and all – yes – every and all Kata. Zazen is potential. Potential of all Kata exist within Zazen. Though static, it is energetic!
Here’s a fun one – Sanchin Kata Motorcycle Ride amongst the cotton fields of Arizona:
Cum Superiorum Privilegio Veniaque
Sensei John Szmitkowski
Endnotes:
1. Having only spent the last twenty or so years of my fifty-two year kata journey on the topic of Katannabis, my research into Levels IV to VI is limited. I am convinced that these levels must utilize what I call the “Sacred-Trinity” of Kia, namely: Seienchin, Suparunpei and Sanchin. Now, I fully realize that if these Kata are not in your martial arts kata catalogue, it would be a tall order to try to learn all three. To allow you to experience Katannabis without this additional burden, I created the “Sanchin-Dai” (“Great Three Battles”) Kata which incorporates the salient concepts of the sacred-trinity as far as Katannabis meditation is concerned. You may learn Sanchin-Dai Kata for yourself using this link: – – – Coming Soon – –
Level V will be an interesting level for you to explore. It is at the end of level IV, moving into level V where you will begin to experience and “dip your toes” into the non-physical waters of the esoteric kata experience. This is the level that, in the early stages of you Katannabis meditation exploration, you will encounter the unknown and unseen. The Kata that will bring you there is Suparunpei. For those that do not have Suparunpei Kata in your kata syllabus, please see endnote # 1.
I’ve included a copy of my journal with my earliest memory of learning Suparunpei Kata. I encourage you to at least give it a cursory read. In it I relate the advice I personally, out of a group of fifty or so students, was given by Sensei. At the time, I was told I would be the one to understand its meaning – “ You cannot perform Suparunpei Kata (which Sensei called “Pechurin” in his native Okinawa dialect) if you are spiritually impure.” It seemed strange at the time that I was singled out and quietly told this. Now, decades later I fully understand the import of Sensei’s words.
So, again, if you do not know Suparunpei Kata, endnote # 1 provides a link to learn my Sanchin-dai Kata (“Great Three Battles”). Both Suparunpei and Sanchin-dai will produce the effects that will help you enter and explore the Unseen. These effects are discussed in great detail in later chapters. For now, I wish to acquaint you with them. I call these phenomenon the following:
The Mandala-effect;
Spatial Distortion;
Time-Slip.
The above are not presented in any order. When I first experienced the phenomenon I had no idea what exactly was happening. It took time to first understand and identify and then label, quantify and explain. To the best of my knowledge the phenomenon of spatial distortion was first but closely followed by the phenomena of time-slip. It took more time to realize that the Mandala-effect was, perhaps, the overriding phenomenon that gives birth to the other two.
You will, repeat, will, experience these new phenomenon. The fact is they help form the portal to the exploration of the non-physical dimensions. My dojo patch always incorporated the symbol of a Tori. I’ve worn that patch since 1971. It took decades for me and the advent of Katannabis ritual meditation for me to appreciate the symbolism of the Tori – a gateway or portal. Suparunpei and Sanchin-dai become the Tori.
I would wholeheartedly encourage you to keep a journal of your Katannabis experiences. Documenting them will help you review and understand the process. I am merely guiding you. You will determine and find your own path. You can use the detailed discussion of these phenomenon as a template for your own experiences and notes.
Cum Superiorum Privilegio Veniaque
Sensei John Szmitkowski
Bonus – Suparunpei as Mala journal notes
Endnotes:
1. Having only spent the last twenty or so years of my fifty-two year kata journey on the topic of Katannabis, my research into Levels IV to VI is limited. I am convinced that these levels must utilize what I call the “Sacred-Trinity” of Kata, namely: Seienchin, Suparunpei and Sanchin. Now, I fully realize that if these Kata are not in your martial arts kata catalogue, it would be a tall order to try to learn all three. To allow you to experience Katannabis without this additional burden, I created the “Sanchin-Dai” (“Great Three Battles”) Kata which incorporates the salient concepts of the sacred-trinity as far as Katannabis meditation is concerned. You may learn Sanchin-Dai Kata for yourself using this link: – – Coming Soon – –
In this level the “non-physical, non-apparent aspect” of the Kata is all important. Do not view techniques as strikes, blocks and kicks that come in contact with an imaginary opponent. Rather, view the techniques as being necessary to move percussive energy wave. The strikes, blocks and kicks are but a means to move the air, the molecules in the air, generating magnetic and gravitational waves. I encourage you to do as much supplemental research as possible. Physics has shown that all of our physical movements generate electro-magnetic and gravitational waves. It is this phenomenon that you wish to exhibit in your Kata at this level. Intrigued? If so, you may want to click these two links on factors (internal & external, seen & unseen) that affect your Kata – do some research on it and blow your mind: (internal) https://senseijohn.me/2022/08/08/internal-factors-involved-in-katannabis-part-1-of-2/ and (external) https://senseijohn.me/2022/09/12/external-factors-involved-in-katannabis-part-2-of-2/
In my experience the single best Kata for this level is Seienchin. (For those readers unfamiliar with Seienchin, please see endnote # 1) Now, I will readily admit that Seienchin is near and dear to my heart. It is my closest Kata companion since I first learned it as a green belt in 1975. So, its been with me for a while. I was always drawn to it. Throughout my life it nurtured and sustained me in times of need. So, yeah, I am prejudiced to it.
I believe that it is the manner in which Seienchin is performed that makes it perfect for the requirements of this level. Seienchin representing the “Calm in the storm/storm in the calm,” embodies perfectly the duality of nature and the universe. The movements of the Kata reflect this. It starts off in a side stance, low and deep with movements that are slow, methodical with deep abdominal breathing and dynamic muscle control. It progresses to sharp, focused fast, energetic, kinetic movements. The alternates between the two types of movements. Intrigued? Here’s a bonus – my journal on the alternative interpretation of Seienchin: “Walk far to quell & conquer.”
The key, I think, its to envelope yourself in the physicality of your being, represented by the “storm” or the swift fast movements and the non-physical nature of your essence, represented by the slow, methodical, “calm” movements.
Bearing the in mind, if you do not have Seienchin Kata within your curriculum, you have two choices:
You can learn a similar Kata that I have created to fill the requirements of this level and the next. I call this Kata, Sanchin-Dai, or “Great Three Battles.” I will put a link to free online instruction for this Kata in the endnotes in the near future, or,
You can modify the performance of any Kata to meet the performance of Seienchin. I would note that such modification should include the use of a side stance in the beginning. As will be discussed in more detail in the advanced section, the physical requirements and “discomfort” associated with a deep side stance, held for a long period provide a great transitional means to deemphasize the physical to the non-physical. This is for a more advanced chapter. For now, consider the necessity of using a side stance well in any modification to your existing Kata.
Depending upon my state-of-mind at the start of a Katannabis session, I sometimes will imbue another dose of the entheogen prior to beginning this level. If so, I usually sit in Zazen, seated meditation, for about five minutes before starting so as to let the additional entheogen take effect. More is discussed on this in later chapters. You can experiment (and document your results) as to the administration of the cannabis entheogen, dosage and efficacy of the strain you use.)
Upon completing this level, there is a pervasive sense, experience of the Non-physical, energetic reality that exists and envelopes your physical being. You will leave the physical boundaries of your body and merge with such realities. The next level will break you through the portal.
Cum Superiorum Privilegio Veniaque
Sensei John Szmitkowski
Endnotes:
1. Having only spent the last twenty or so years of my fifty-two year kata journey on the topic of Katannabis, my research into Levels IV to VI is limited. I am convinced that these levels must utilize what I call the “Sacred-Trinity” of Kata, namely: Seienchin, Suparunpei and Sanchin. Now, I fully realize that if these Kata are not in your martial arts kata catalogue, it would be a tall order to try to learn all three. To allow you to experience Katannabis without this additional burden, I created the “Sanchin-Dai” (“Great Three Battles”) Kata which incorporates the salient concepts of the sacred-trinity as far as Katannabis meditation is concerned. You may learn Sanchin-Dai Kata for yourself using this link: —- Coming soon —-
Bouns!!! Seienchin Kata with Wild Horses filmed at the Lower Salt River, Tonto National Forest, Arizona
In this level I recommend two kata. I am not sure if such is a necessity, but in my Katannabis, I find the two of the shortest duration Kata within the Goshin-Do system work best. You may find the same applies within you Kata curriculum.
The goal of the two Kata is to foster the transition stage from a physical based experience to a more non-physical experience. Level II laid the foundation by using a Kata that had a non-physical significance. In this level, we try to duplicate that non-physicalness within the physicality of two Kata. I’ll repeat that the two Kata I use in my Katannabis are, first, Ananku and second Seipai (see Endnotes for a video)
The Kata will foster this transaction in two different ways. The first fast is performed with Kime (focus). Again, I find the best Kata should be short, fast, and powerful. I find a short Kata works best to allow you to transition the power and perception of power from a physical to a spiritual. How? Notwithstanding that you are physically performing the movements swift, powerful and with intent (Zen-Ken-Ichi, “Mind and fist are one”) you want to channel that energy not as a physical force but as a forceful energy wave emanating from the physical movement. Think of putting out a candle flame with your punch – it is the wave of energy, not the fist that does so.This shift of perception is the groundwork for transitioning from the realm of physical sensation to the realm of the energy wave which is derived from the physical movements of the kata. Like two different universes within one space, a co-existing multi-verse of perception. Think to the first time you learned to punch, or, gasp, break a board, you were told to penetrate the target but to “snap” your punch, not push through it. Thus, part and parcel with the physical penetration, there is a percussive energy wave.
The second Kata, also of a short direction is one that while using Kime, is performed with flowing, light, swift movements. It is the flowing nature of the performance that, I submit, is key. If you established a percussive energy wave with the first Kata, this Kata allows you to perceive yourself as riding that percussive energy wave. In my syllabus, the Kata Seipai fits that requirement perfectly. If you are unfamiliar with the Kata, you can easily find an online video. If you do not have a Kata that is performed in the manner of Seipai, then you can adapt one of your Kata. Remember, it is not necessarily the sequences of the Kata, but the manner in which they are performed – a subdued , snappy Kime, flowing, light, graceful movements. I would say this is akin to a Kata with Kime mixed with a Tai Chi performance influence. To test this theory, I tried substituting the Kata Wansu performed in this manner in lieu of Seipai and achieved acceptable results. Note that Wansu is also a relatively short duration Kata.
Visualization: At this level, your visualization is one of a Tableau Rosa – a blank slate. To the extension possible, you must view your actual surroundings with a gaze called “Boketto.” Boketto is to view your surroundings, preferably outdoors in nature, without preconception or definition. That is to say, look at a tree, or grass, etc without forming their name in your mind. It is the name that drags along a preconception. This is to be avoided. In its place, let your mind fill itself with the “Mind of a white belt.” Remember your first days, weeks and months in the Dojo – you did not know the names of techniques or Kata practiced by your seniors, rather you observed purely without association. This is your visualization and mindset during this level.
To recap a few highlights:
The levels progress from a physical based experience to a non-physical one;
This progression also affects one’s mental viewpoint from a physical based reality, Level I envisions the mythical Kata combat to a non-physical based experience, the combat becomes a non-physical energy;
Boketto and the “mind of white belt” will begin to transition you from the pre-judged, pre-conceived physical reality to the unknown and unseen non-physical dimensions that exists concurrently with our physical based one.
Level Two is an interesting level. The kata you choose for this level will not be selected for its physical characteristics. That being said, the Kata must be one that is, again, performed with Kime (focus) and not one with exaggerated breathing and dynamic tension. Don’t worry, such kata will play a very important role in the levels to come.
The kata in this level will be one chosen for its non-physical properties. The kata must be associated, linked, intertwined with a memory. The memory may be one of a place, event, or person. The goal of level two is to call to mind the non-physical properties of kata. Each kata contains a mental state, emotion, psyche all found within the performer. This level wants the Katannabis practitioner to awaken him or her self to the non-physical properties of kata. This is particularly so with the ability of kata to link us to past events, persons or places with still reside within our psyche.
My chosen Kata provides an excellent example.
The Kata I use for the level is Kunchaba Kata (See below for a video featuring Hanshi Frank Van Lenten). It is a kata that is not part of the Goshin-Do style I learned. It was incorporated into the style after Shihan DeFelice left the Goshin-Do Kyokai. A member of the Kyokai that became a great friend in my later years was Shihan Wayne Norlander. Shihan Norlander, or “Sensei Wayne,” as I knew him attained the rank of Ku-Dan, ninth-degree black belt at the time his untimely death on May 18th 2011. Sensei Wayne, and I would share many thoughts, ideas, theories and yes, even kata. One such kata he shared with me was Kunchaba. In exchange, I taught his two senior Yudansha the Ufuichiku No Eaku (Oar) Kata.
Sensei’s passing, May 18th, 2011, was a Wednesday. Every Wednesday, since that melancholy day, I have performed Kunchaba in his memory. This had two effects. First, in the thirteen years, more than 676 Wednesdays, since that day, the Kunchaba Kata has been inextricably linked to Sensei’s memory and honor. In essence, it is imbued with his spirit; almost to a point of personification. Second, Wednesday has effectively become a sacred, almost “holy” day for me. Many strange events have taken place on a Wednesday – even having my life saved, you can read about that here https://senseijohn.me/2017/02/01/a-deceased-sensei-saved-my-life/ . Thus, for my Katannabis, it is the perfect kata for level two.
Do not despair if you do not presently have such a kata in your repertoire. You can also “manufacture” the personal connection. For example, you can use a kata that you
Have a special memory or story attached to, especially if it pertains to your instructor or the learning of the Kata;
A favorite Kata that you performed on vacation, or for a special event that would invoke a memory of that special place;
A Kata you otherwise enjoy that you could imbue with memory by performing regularly throughout you daily life;
Gasp!! A Kata you perform at tournaments. Yeah, being no fan of the superficiality of tournaments, I’m grasping at straws here to get you started on your Katannabis meditation journey.
As Katannabis ritual meditation uses the physical battles of Kata as a catalyst to explore the Non-physical Battles, to wit: the Spiritual (psyche, emotions, etc) and the Metaphysical (higher frequency and dimensional environments), it is at this level that the non-physical components of a Kata needs to move to the forefront. Choose your Kata wisely and imbue it with as much non-physical energy as you can. This will only increase in efficacy as your walk further down the path of your Katannabis journey. Most recently, I have rearranged my Katannabis Kata syllabus to begin my session with my level two Kata – Kunchaba. It has become that powerful. Though not a plant, kata is almost an entheogen in and of itself.
Katannabis Advanced Topics (NOT for the Faint-at-heart)
The following topics are reserved for the Advanced Katannabis practitioner and beyond the reach of the beginner. Frankly, peruse, read and study these topics ONLY if you have at least one year of Katannabis experience. To do otherwise is to court danger.
Unlike the Syllabus and Resources, which are presented in the order you should learn them, the Advanced Concepts are not presented in a “syllabus-style” order. I have endeavored to present them in the order in which they unveiled and revealed themselves to me. This may not necessarily be your experience. If you have an experience in your Katannabis, please try to match same with any of the following topics:
(This discussion is geared towards the martial artist who is familiar with Kata. Non-martial artists can learn and use my Kata curriculum I developed specifically for them – please return to the Katannabis page for a link)
About five minutes before a Katannabis session, take a puff of the cannabis entheogen and sit quietly in Zazen. I let the day, with its attendant pressures, worries, joys, sorrow, wash away. Once I am a “Tableau Rasa,” a blank slate, I am ready to start. The starting point is Level I Kata.
Level I takes into account the basic biological fact that the food of the brain, the residence of the higher state of mind, is oxygen. Yes, your brain, an organ, requires proteins, amino acids and other such nutrients. But, without oxygen, it ceases to function almost immediately. Doubt me, fine – squeeze your throat for four to six seconds then once you wake-up from passing out, stop reading and walk away, you’re not ready for Katannabis!
There are distinct characteristics of the two Kata that you will perform at this level of Katannabis:
The creation of a need, or hunger, for oxygen;
The similar/dissimilar aspects of the two Kata;
The performer’s Kata visualization;
Start having “The Passion” – get the energy flowing.
Hunger for oxygen:
The overriding purpose of the early levels is to generate a need for oxygen. You must get the “Blood flowing.” At this stage it is important that the kata be entirely “physical.” That is to say the entire kata is performed swiftly with kime, focus. The overall rhythm of the kata is martial in nature. By this I mean that the sequences are performed physically and spiritually as if you are in combat. By contrast, a methodic, expanded breathing, dynamic tension Kata, will not suffice at this level.
Similar/dissimilar Kata sequences:
The two Kata in this level must be similar in pattern but dissimilar in specific movement. This is a physical key that will foster a non-physical attribute of Kata. The chosen Kata effectively build upon the other. This means that the movements of the second, more “advanced” Kata are “hidden” within the first.
Using my Goshin-Do Karate Kata syllabus, I chose Fuku and Gekisai Kata. Other kata that meet the similarity criteria would include, but not be limited to:
Gekisai-Dai-Ichi, Gekisai-Dai-Ni, and the other Gekisai variants;
Any kata in the Taikiyoku, Pinan or Heian Kata series;
Generally any Kata that differentiates between a “sho” (little) and “dai” (great) suffix, Kanku-sho and Kanku-dai, Gojushiho-sho and Gojushiho-dai.
The similarity of Kata pattern with dissimilar specific movements highlights individuality being lost into a more encompassing oneness. The cannabis entheogen connects the Kata mentally by subconsciously highlighting the differences in the two similar kata. Within the same general framework (analogous to the “physical”) there exists a more divergent, fluid, evolving level within the smaller sequences (analogous to the (“spiritual”). While performing the first Kata physically, your mind subconsciously begins to “process as if performing” the hidden moves of the second Kata. When you perform the second Kata physically, your memory is subconsciously revisiting the first kata.
This phenomenon introduces, on a subconscious level, the non-physical attributes of Kata. These attributes gain more and more emphasis in the coming levels.
Performer’s Kata Visualization:
The key here is as your to visualize the physical application of the movements. You should visualize fighting the imaginary opponent inferred to by the Kata. It is this physical application to which many martial artists devote themselves to. When this mental process is enacted with a partner it is called “Bunkai.” (See endnote # 1) Many a Kata practitioner will spend the majority of their time visualizing the Kata’s inherent imaginary battle. In Katannabis, this is but a starting point. Like Sanchin, all Kata have “Three Battles.” The three battles are not merely limited to the physical. To do so limits you to one battle – the Physical. (See Endnote #2). Below are my visualization notes from my personal Katannabis Journals.
Start the “Passion” – get the energy flowing:
In order to enter the higher mental dimensions, one must begin to generate energy. Let us simply label this energy as “passion” for now. Passion in this sense is analogous with any forceful state-of-mind, or being fervent. This quasi-emotional state generates an energy, senses and responses sail up and down the nervous system to the mind and body. You “feel the burn” not only physically but also mentally. It is this physically derived energy that must be made manifest through the Kata. Be passionate with your Kata!
Conclusion:
The above is sufficient to get your starting with developing your own Katannabis curriculum. Effort, experimentation, trial and error, and documenting your efforts, will produce results. Hey look, it only took me twenty of the over fifty years of Kata practice to develop Katannabis.
Cum superiorum privilegio veniaque
Sensei John Szmitkowski
For those readers unfamiliar with Fuku and Gekisai Kata (the Goshin-Do Gekisai is actually the Gekisai-Dai-San of Sensei Seikichi Toguchi), here are two video: Fuku is from my Kata Lab series and Gekisai features historical footage of Hanshi Frank Van Lenten, enjoy:
Endnotes:
1. A full discussion of what I consider “Bunkai” is beyond the ken of this discussion. Suffice to say if you understand that Kata exists on the three levels set forth in endnote # 2, then and in that event, Bunkai the analysis of Kata) must also extend to those three battles.
2. For too long to remember when it started, I have advocated that the “Three Battles” of Sanchin Kata, and by extension, every other Kata, must include the non-physical elements of Kata, namely:
Battle (or attribute 1): The physical,
Battle (or attribute 2): The Spiritual (non-physical): psyche, emotions, state-of-mind, such as Mushin, Zanshin, Nenjuushin, etc,
Battle (or attribute 3); The Metaphysical: or environmental;, the physical and non-physical geography, or terrain, within which the Kata is performed.
Katannabis Meditation: Overview To Designing Your Kata Syllabus
Katannabis ritual meditation is not based upon any specific Kata. Having said that, my experimentation and experience have led me to conclude that there is a specific template for choosing and organizing the Kata that you may wish to incorporate into your own Katannabis ritual. In this way, you do not have to learn any new Kata, rather, you already have the Kata tools, you need only learn the Way of Katannabis (Katannabis-Do).
That being said, I do have two important caveats:
First, not all Karate, or other Kata-based martial arts systems perform Sanchin Kata (or similar Kata). As such, learning Sanchin is highly recommended. I will have video tutorials available in the future. You can; however, immediately start designing your own Katannabis Kata syllabus.
Second, for those readers that do not know a Kata. Don’t worry, you can learn a Kata that I specifically designed for you for FREE. Now, you, too can experience the life enhancing benefits of Katannabis. A link to my FREE online course where you can learn at your own pace in the comfort of your home is contained in Endnote # 1.
Now, for the general attributes of each Level of the Katannabis meditation experience. Again, please keep in mind that each Level will ave a more in-depth discussion. For now, please use this resource to identify Kata within your system that maybe a candidate(s) for each level.
Keep in mind that, generally, each level builds upon the next facilitating the transformation from a physical-based reality to a more spiritual-based experience.
Level I:
Facilitates the physical. Kata are strong, swift and create a need of oxygen intake. One important characteristic is that the kata contain similar sequences and a similar pattern with one building on the other. This level should have two kata.
Level II:
This level builds upon the first in that it facilitates and augments the physical experience. There is a very important aspect to the Kata you place in this level. While it should be a physically challenging Kata, it should be one that contains a very high level of personal significance and attachment for you. There will be more on that in the detailed discussion. For now, consider placing your “favorite” Kata within this level. Perhaps one that you use in tournaments (gasp, not a fan of such triviality!).
Level III:
This level should begin the transition from the mere physical experience to a more non-physical esoteric experience. For this reason I recommended two Kata. One that is purely physical and another that is less so, a prime example are the Kata of the Goju-ryu Karate style that places enhanced emphasis on breathing and muscle control. Note that if your system does not contain such Kata, with a little research you can view my Kata videos of the Kata within the next levels, see the breathing methodology and incorporate not into your own Kata. Again, it is not necessarily a specific Kata, but a specific method.
Level IV:
This level will complete the transition from the physical-based Kata experience to the non-physical experience of Kata.In my research, I find that it is imperative to use Kata that contains the enhanced breathing methodology in one form of another.
Level V:
This level takes you deeper and deeper into the Katannabis non-physical meditative experience. I can’t say that this will be true in all cases, bt I find that the more advanced Kata of a karate syllabus will be needed at this level.
Level VI:
This level hard-wires the spiritual experience into your physical reality. In my experience, the only, repeat, only Kata that foots this bill is the Sanchin Kata. Deceptive in its “simplicity” it is deeply advanced, introspective and esoteric by its very nature. I am unsure, even skeptical is any other Kata modified to the method of Sanchin would be sufficient. Consider well learning, or at least acquainting yourself with Sanchin Kata at this level. It will take you a minute to learn and a lifetime to master.
You conclude this level with Zazen, seated meditation. Thus ending the Katannabis ritual. You will attempt to maintain the meditative state produced by the Katannabis ritual through such esoteric concepts as Zanshin, “the Remaining Mind” and Nenjuushin, “the Everyday Mind” and similar concepts discussed in later chapters.
Closing Comments:
The above seems relatively simple. Trust me, the above summarizes decades of my mental “Kata Laboratory.” For almost fifty years, I lived my motto of “Think * Sweat * Experiment” with Kata. It hasn’t always been easy. In the next few pages, I’ll dissect each kata, and the functionality of each level. For those interested in Kata and Kata Bunkai as you’ve never experienced before (yeah, I know bold statement) please use this convenient link to my online Kata Laboratory.
ALL, I repeat, ALL Katannabis methods, curriculum and resources will be conveniently archived here. Simply put, this is your starting point and continuing point of reference.
Note that many of the articles contain photos of my handwritten journals. Please click and the photos and read them! They were often made during or immediately after my Katannabis sessions. As such, they contain some of my most contemporaneous insights. My entire Katannabis journal is well over 300 pages, so avail yourself of this powerful resource and “click the pic!”
Follow my Katannabis on Instagram at “1day1lifetime”
The curriculum is divided into two sub-categories. First and foremost, as that is the most convenient for me, is the curriculum for martial artists that are already intimately familiar with kata. Second, is the curriculum for non-martial artists that with to delve into Katannabis ritual mediation.
Curriculum Overview (For those readers familiar with Kata):
General commentary: I would suggest that you understand each level and begin to fit your Kata within each level. Start by practicing the entire Kata syllabus you have developed, but deep dive into one level at a time then move on when comfortable but revisit prior levels more deeply.
My full Katannabis journal(in reverse chronological order):
I have spent the last twenty of my over fifty year Kata experience experimenting with Katannabis (Kata combined with the cannabis entheogen as a mediation ritual). An integral; part of my Katannabis journey has been to document and memorialize my methods, experiments, findings and experiences. Here I will share with you some of the Katannabis meditation experiences and phenomenon, good and bad, that I have experienced over the years. Naturally, this is an abridged sharing. If I shared the full content of my ten notebooks, well, it would be voluminous.
The following topics are reserved for the Advanced Katannabis practitioner and beyond the reach of the beginner. Frankly, peruse, read and study these topics ONLY if you have at least one year of Katannabis experience. To do otherwise is to court danger: https://senseijohn.me/2023/02/21/katannabis-advanced-resources/
My personal Kata Curriculum used in my personal Katannabis ritual meditation is made up of the following kata. All Kata are derived from the Goshin-Do Karate style that I have practiced for over five decades. In due course I will include on this site videos of the Kata. For the time being, should you desire to see the Kata, you may use this convenient link to my Karate site: https://senseijohn.me/kata-syllabus/ .
As a result of my daily Katannabis, I have slightly modified the Kata so as to provide a seamless mediative experience. Interestingly enough, the modifications also have a corollary effect in the martial aspect of the kata. That is to say that the modification yields a differing practical application of self-defense techniques.
Here are the kata of my Katannabis ritual. To assist you in creating your own Katannabis syllabus I have placed the kata into levels of functionality; what is to be desired from the kata performance.
Level 1:
Fuku
Gekisai
Level 2:
Kunchaba
Seisan (optional)
Level 3:
Ananku
Seipai
Level 4:
Seienchin
Level 5:
Suparunpei
Level 6:
Sanchin
Zazen
As my Katannabis is an on-going process (as yours should also be), I have recently, December 2022, began experimenting with the order of the Kata. This is producing some interesting results which I am documenting for further study. To this end, I will memorialize my current Katannabis syllabus.
Level I:
Kunchaba
Seisan (optional)
Level II:
Ananku
Seisan
Level III:
Fuku
Gekisai
Level IV:
Seienchin
Level V:
Suparunpei
Level VI:
Sanchin
Zazen
As you can see, it was only the first three Levels that were modified. I will not; however, that I have also created a new Kata, I call “Sanchin-Dai,” the “Great Three Battles.” Depending upon my meditative state, I sometimes am able to replace the three Kata in Levels IV, V and VI, which I collectively call my “Sacred Trinity” of Kata with the Sanchin-Dai Kata. This has some very interesting effects. Briefly, the Sanchin-Dai Kata encompasses all of the physical and non-physical attributes of the Sacred Trinity into one, slightly abbreviated Kata. I hope to have a video shortly.
YOUR COMMENTS ARE WELCOME