Tag Archives: Shihan Thomas DeFelice

Do Away With Kata Formalities – Part 1

20 Feb

Do away with kata formalities – Part 1: Understanding the formalities

Every karate-ka (practitioner of karate) is familiar with the formalities of kata. Whatever form they take, these formalities may be summarized as three procedures before and after each kata. I submit, they are “outside” of the kata and are not part of the actual kata. (See endnote number 1) In this article, I make the argument that at the dan rank (black belt) level, they should not be performed at all, save one exception.

Kanji for “Kata”

Generally speaking the kata formalities may be parsed into the following three steps. Step one is the “rei” or formal bow. This step symbolizes respect. Respect first and foremost is for the solemnity of the kata itself. Respect then expands to include the individual that created the kata, those that maintained it throughout history and preserved it in its present form. You can extend the concept of respect ad infinitum, such as respect for the dojo, your Sensei, karate in general and the like. As my own Sensei, Shihan Thomas DeFelice, was fond of saying, “All kata begins and ends with respect.”

The second step is one of “mukso” or meditation. This step has many effects, including, inter alia, the need to clear your mind of all preconceptions, dilatory psychological states (extraneous thoughts) and emotional effects (anxiety, fear, depression and the like). Unchecked these dilatory states would impose themselves on the kata. As the karate Sages would say, you need to “Part the clouds to see the moon.” This state of mind is called “Mushin” or “mind no mind.” You perform mukso after the kata to facilitate the state of mind known as “Zanshin” (“remaining mind”) to imbue yourself with the physical and spiritual by-products of the kata.

Lastly one assumes a “ready” posture. This is a physically neutral posture that takes many forms. Examples include standing with feet shoulder width apart, knees slightly bent, hands low, feet together with hands touching at groin level and the like. Regardless of the exact posture, it is always neutral. The neutral posture ends upon starting the kata.

After the kata, the kata-ka (my term for a performer of kata) then performs the formalities in reverse order. 

Okay, so far so good. The formalities clearly have a purpose and are relatively innocuous in so far as they are neither physically demanding or spiritually negative. So, you may wonder why I advocate that you do away with these relatively noble acts of respect, purifying your spirit and readiness before kata. Well, lets see.

First, it must be completely understood that the formalities are of significant importance to the student below Sho-dan (first degree black belt). To those of numansha grade (under black belt) they must be performed before and after each and every kata. Period. (caveat – see endnote # 2) After sho-dan, one must begin a transition into a fuller understanding and appreciation of kata. To this end, the formalities should be dispensed with.

I would like to begin by looking at the nature of the formalities. To reiterate, they prepare you physically and mentally for the kata. On a purely physical level, it is axiomatic that the kata symbolizes a battle, a physical attack scenario. At a basic, almost Planck Scale-like level, kata is a ritualized shadow-boxing dance. It represents a fight. A karate-ka trains to put the odds of surviving such an encounter in their favor by employing the techniques of the kata with the proper mental state.That being said, if you are attacked you do not hold up you hand, stating “Please wait” while you bow, meditate and assume a ready posture. So, why train this way? I am reminded of the following humorous scenario. 

In the mid-1990’s I was officiating and competing as a young San-dan (third degree black belt) in Sensei Ed DiNardo’s (RIP) annual karate tournament at the Wayne (NJ) P.A.L. building. We just concluded the officials meeting presided over by both Sensei DiNardo and Hanshi Frank Van Lenten (RIP). This was one of the handful of times I met the founder of the Goshin-Do Karate style and association. Sensei DiNardo’s tournament always began with the black belt competition in kata, kobudo and kumite. This allowed the competing black belts to be free later for officiating when the lower ranks competed. Before we adjourned the meeting, Sensei DiNardo turned to Hanshi Van Lenten and asked,”Should we give the black belts a few minutes to stretch out and get ready to compete?” Hanshi Van Lenten put his left arm around Sensei’s shoulder and looked him dead in the eye, “If I jumped on your back right now, would you ask me to let you stretch out?” And thus, lightening struck and awakened my subconscious thought as to the formalities of kata. Much like you would not perform the acts prior to an actual encounter, you should train to perform your kata utterly spontaneously. You must develop the concept that all your kata reside within you at all times – twenty-four hours a day, seven days a week.. They simmer within you, percolating, ready to be released when you need them to burst forth. (See endnote # 3) To perform the formalities before and after each and every kata obfuscates this spontaneity. 

This phenomenon of kata within you can be trained with the aid of a Sensei who understands the heart of kata (and not simply the rhetoric of kata). You can, and should, specifically train your body and spirit so as to be aware of the kata within you and let it burst forth. This is first accomplished by training the immediacy of self defense scenarios within the kata. In my Kata Laboratory project, I have multiple training concepts. One example, “Kata To Modify Emotions” is set forth in endnote # 3. Another example is “Kata Lab – Dr. Jekyll’s Potion. You may see the details of this kata lab using this convenient link  https://senseijohn.me/2014/02/09/kata-lab-122-kata-dr-jekylls-potion/  and also this video example.

I therefore humbly submit that you must train your kata to be deployed at a moments notice in times of need. The formalities become an unnecessary impediment to the spontaneity of such performance. Removing the symbolic formalities is the first and necessary step to accomplish this spontaneous transition form one’s normal everyday world to the world represented by the kata. Again, this includes a physical world (attack and physical health scenarios) and a spiritual world (mental, psychological and emotional states). Thus, the need for the formalities is nullified. You must be prepared at all times. You must act with respect, maintain a clear mind and be ready in a noncommittal manner so as to act when it is time to act. In essence, like kata, the formalities simply blend into and simmer within us. Respect becomes part of our lives. Mushin, a clear mind and spirit, becomes our default mental state. We remain neutral until the time to act is appropriate then we act swiftly and decisively. If the goal is full integration of kata within ourselves, why symbolize the formalities when we begin and end each and every kata? So, do we simply get rid of the acts of preparation?

I’m going to let you chew on this a bit. Let the concept percolate within you as you practice your kata. See what you think. In my next post, I’ll give you my insights and how after forty-seven years of kata, I incorporate the formalities into same.

Respectfully submitted,

Sensei John Szmitkowski

ENDNOTES:

1. There may be others that disagree with my assertion that the kata formalities lie outside of the kata itself. Frankly, that is fair, but wrong. Simply ask any instructor to teach you the first three moves of a new kata (or think back to when you learned a new kata), I bet you, as my father would say, “A dollar to a donut” that they do not show you (for the N’th time) the three formalities. Rather, they show you the first three movements of the actual kata. Thus, impliedly, agreeing with my assessment.

2. During my training in Sensei DeFelice’s Goshin-Do Karate dojo, the formalities were, at times, summarily performed. That is to say that when a kata-ka was asked to perform several kata, such as during testing or class, they would perform the formalities before the first kata, perform all kata asked and the perform them again after the last kata. Thus, avoiding performing the formalities before each kata in the series. I also observed this summary performance at other dojo including the former Bogota (NJ) dojo of my friend and comrade, Shihan Wayne Norlander, RIP. I note that this experience may have subconsciously infused my mind with the idea that the kata formalities should be done away with entirely.

3. Please notice I do not say “ready for when you may be attacked.” I deliberately chose my words to reflect the idea that kata are more than physical self-defense. They are also of great benefit in developing your spiritual self. They are moving meditation than produce a heightened mental and perceptive state when fully understood. But, that is beyond the ken of this article. It is; however, the entire subject of my next book. To tease you a bit on this topic, you may see how kata can be used to modify your emotions using this link and video.https://senseijohn.me/2013/10/06/kata-lab-221-kata-as-an-emotional-modifier/   here is the accompanying video:

  For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/
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  For a refreshing and innovative discourse on kata and bunkai, please feel free to visit Sensei John’s Kata Laboratory and “THINK * SWEAT * EXPERIMENT” using this convenient link: https://senseijohn.me/kata-lab/

© Copyright 2019 Issho Productions & John Szmitkowski, all rights reserved.

2014 Summer Recap

8 Sep

With Summer 2014 in the history books, I hope you all enjoyed a great Summer filled with many memories. Here’s a recap of what you may have missed while on vacation and making those memories.

KATA LAB   Kata Labs:

TEXT-hand secret things   Life Is A Kata:

NEWS sanchin   That’s OK (Online Kata) sessions (Even though the dates for the group sessions have passed, you may desire to incorporate the theme of each session into your kata training)

dreams-seisan   My musings:

 

ME-SENSEI   From the official Goshin-Do Karate-Do (DeFelice-Ryu) blog:

As is tradition here on my blog, September marks a new “academic year.” I have many things planned and know you will enjoy and be challenged in the weeks and months that come. Also look for new kata videos which are in production right now.

Until then, I remain honored to share my insights with you, yours in kata,

HANKO-master

Sensei John Szmitkowski

   sunsu-2   For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/

You may wish to view my other blogs –
LOGO-WEBSITE my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com
and
DOJO STICKER-1 the Goshin-Do Karate blog at http://defeliceryu.com

© Copyright 2014 Issho Productions & John Szmitkowski, all rights reserved.

Kata Lab # 2170: Blink-Of-An-Eye Bunkai

4 May

“Life and death in the street occurs in the blink-of-an-eye.” 
(Shihan Thomas DeFelice)

“Therefore kata bunkai (analysis) should include the blinking-of-an-eye.”
(Sensei John Szmitkowski)

KATA LAB

Welcome to this teaser from my Kata Laboratory Series, Kata Lab #2170: Blink-Of-An-Eye Bunkai ©

Preface:

For a behind-the-scenes look at how this Kata Lab developed, please refer to this article using this convenient link:

Sensei John’s Kata Lab: “The Process” – Link:
https://senseijohn.me/2014/04/20/kata-lab-the-process-of-making-a-kata-lab/

Analyzing Ananku Kata in the Kata Lab

Analyzing Ananku Kata in the Kata Lab

Background:
There are numerous karate-do techniques involving any number of striking surfaces with the hands, feet, knees, elbows, fingers and the like. These techniques are combined with any number of stances to form a posture.

These postures are linked together in a cohesive manner to form sequences which are combined to form a unified pattern called kata. This is the physical aspect of kata.

Bunkai (analysis) is used to understand the kata. The majority of practitioners limit their bunkai to the overt moves and sequences in kata. The transition from sequence-to-sequence, posture-to-posture that occur with a kata are often ignored in bunkai.
This Kata Lab looks at the physical aspects of those transitional movements.

Kata Lab: (Recommended Reader Experimentation)

To assist you in the process of this Kata Lab, I have a video after the procedural outline.

  • Select a kata that you are familiar with utilizing bunkai to perform the physical applications of;
  • Perform the kata slowly, paying particular attention to the transitions between movements;
  • As to the transitions, notice the shifting of weight, body movements, and hand positions;
  • Exaggerate the transitions so as to identify and define postures within these transitions, define a stance, and hand position;
  • Again perform the kata slowly, this time inserting the transitional postures into the kata as if they themselves were overt moves;
  • Perform the kata full speed, once again, insert the hidden postures into the kata as if they were overt moves. Does the kata maintain it’s “flow” when performed in this manner? If so, then your identification of the hidden postures was accurate.
  • Analyze the kata transitional positions with a partner, pay particular attention to your previous analysis to determine the extent to which the transitional postures enrich your application. The transitions should allow you to see new self-defense application possibilities.

Closing:
Including the transitional postures in your bunkai (analysis) of kata will enrich your understanding of the application of the physical movements. You will begin to see new possibilities. Better still you will see self-defense possibilities that those who do no analyze the transitions will be ignorant of. Thus, your arsenal of defensive possibilities surpasses theirs.
Additionally, the understanding of the physical aspect of the transitional movements will begin to foster a desire to understand the transitional postures from a spiritual (psychological, emotional and stat-of-mind) aspect and a metaphysical (the manner in which the kata connects you to the environment) aspect.

Please remember, the mandate of the kata laboratory is

lab-collage-6

 

HANKO
Cum superiorum privilegio veniaque (With the privilege and permission of the superiors)

Sensei John Szmitkowski

If you enjoyed this Kata Lab, please visit the online store to help fund more kata experiments.

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dreams-seisan   For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/
NEWS sanchin  For details on how to participate in Sensei John’s most recent cyber-group Kata session, please use this link: https://senseijohn.me/category/thats-ok/

© Copyright 2014 Issho Productions & John Szmitkowski, all rights reserved.

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

You may wish to view my other blogs –

LOGO-WEBSITE    my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com

and

DOJO STICKER-1 the Goshin-Do Karate blog at http://defeliceryu.com

 

SENSEI PAUL RECCHIA HATSU BON

10 Apr

This Thursday, April 10th, 2014 marks the eleven year anniversary since Sensei Paul Recchia was taken from us. Please join me in performing either Sanchin, my Shibumi Kata or other karate-do kata at sunset on this date in memory of Sensei Paul and all whom we have lost. The following Hatsu Bon Poem, together with the above training, are offered to his spirit.
May Sensei’s spirit find our training and poem worthy.

Sensei Paul, age 60

Sensei Paul, age 60

HATSU BON POEM
Please don’t cry before my grave
That’s not where I am
Nor am I sleeping for eternity
SEE!!
I am already part of the breezes
numbering a thousand
I am part of the light
that brightens this world
Like a diamond glittering in the snow
Like the sun that coaxes seeds to sprout
And in the Fall I become the gentle rain
that nurtures all.
When you open the window in the morning
I am the breeze
That causes your hair to flutter;
And at night, I am the star
That watches over your sleep.
So, please . . . don’t cry before my grave
That’s not where I am.
I am not dead.
I have been born anew.

Sincerity in sweat, you are not forgotten, Sensei.

HANKO-wood
Sensei John Szmitkowski

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

You may wish to view my other blogs – the Goshin-Do Karate blog at http://defeliceryu.com and this one dedicated to the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com

 

NJ REFLECTIONS – 2012

22 Apr

And so, another trip to the Garden State comes to an end.

As in the past, such a trip involves a wide range of interactions and emotions. As always, seeing and spending time with family is the greatest highlight. Spending time with my little grandson is an experience that can not be expressed by mere words.

At such times, words cannot do justice to the experiences of the past three and a half months.

So too with my Karate-Do interactions and relationships. Relative to the martial arts, here are a few of my Karate-Do reflections.

It was with great excitement that my Sensei, Shihan Thomas DeFelice, I and my Goshin-Do Karate brothers embarked upon a project chronicling the history and development of our branch of the Goshin-Do Karate tree. To experience this distinct historical and intuitive experience, simply click the following link: WWW.DeFeliceRyu.Wordpress.Com

In addition to the above project, training with my Karate-Do comrades provided satisfaction on a regular basis. Most Wednesday nights I found myself at the USA Goshin-Ryu Dojo of Sensei Pablo Peneque and Sensei Scott Zamora in Bogota, New Jersey. I say most Wednesday nights because, unfortunately, external factors dictated that my attendance was less than regular. While I always find it pleasurable to visit with Sensei Pablo and Sensei Scott, I found I was somewhat crestfallen. While the spirit of Shihan Wayne Norlander bountifully roams the Dojo, I miss his joie d’ vive. Every Wednesday, I dedicated a performance of his Kunchaba Kata (derived from the Uechi-ryu Kanshiwa Kata) to his spirit. During one training session at the Dojo I had the good fortune to meet Shihan Ken Zuck of Isshin-ryu Karate-Do (Left to right in the photo below are: Sensei Bob, Sensei Pablo, myself, Shihan Zuck & Sensei Scott).

The Wednesday night training sessions were a great lead-in to Sunday morning training sessions with Shihan DeFelice and the yudansha. These sessions were punctuated with in-depth analysis of Kata and the associated bunkai and provided not only satisfaction but imaginative insight was well.(Left to right in the photo below, Sensei Rudy, Shihan, myself, & Sensei Dave).

I was also once again fortunate to visit the Dojo of Shihan Thomas Van Tassel and Sensei Jack Kramer in Rockaway, New Jersey (http://www.americancenterformartialarts.com). During the visit, Shihan Van Tassel and Sensei Kramer debuted their new patch design as shown below.

With a heavy heart, I paid respects to the gravesite of Shihan Wayne Norlander. These gravesite visits marked a solemn time of reflection on the life of a true Karate-Ka.

And so once again I find myself geographically apart from family and training in the “dry” heat of the low desert of Arizona amidst the hummingbirds, coyote and lizards. More to follow.

HANKO

 Sensei John Szmitkowski

NOW AVAILABLE – SANCHIN VIDEO SERIES designed specifically for the NON-MARTIAL ARTIST who desires to learn & unlock the secret treasure of Sanchin. Here is a link to a FREE promotional video on You-Tube:  http://www.youtube.com/watch?v=J-pC-tPUrYE

You can find information on how to purchase a Sanchin DVD r Book by clicking the following convenient link:http://www.dynamic-meditation.com/references.html

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

You may wish to view my blog dedicated to the interrelationship between martial arts protocol & ideology to fly-fishing and fishing in general by clicking WWW.FlyFishingDojo.Com

HIDDEN TRAITS OF 8 PRIMORDIAL PRINCIPLES

11 Mar

This week’s article is an abbreviated excerpt from a chapter in my forthcoming DVD and book, “The Dualism Of Seienchin Kata: Part Two in the Jiriki Kata-Do Series.” (See Endnote # 1)

It has been said that there are eight primordial principles that envelope the martial arts. These principles have been delineated in an ancient martial text called “The Bubishi”. The principles are also inferred within the martial work known as the “Eight Poems Of The Chinese Fist.” (See Endnote # 2 for the full text of the poems). The eight primordial principles are:

  • To float;
  • To sink;
  • To swallow;
  • To spit;
  • To burst;
  • To rebound;
  • To spring;
  • To lift.

All eight principles are found within the Seienchin Kata which is derived from the Fujian white crane system of Kung-Fu. Fujian white crane style was developed by Xie Zhing Xiang. The style contains the four elements of whooping crane, flying crane, eating crane and sleeping crane. The four stylistic elements formed the basis of the Seienchin Kata found within Karate-Do.

Seienchin Kata, Badlands, SD, Circa 2004

The Seienchin Kata is the second protocol of my dynamic ideology, Jiriki Kata-Do. It is derived from the Seienchin Kata of the Goshin-Do Karate DeFelice-Ryu style of Karate. (See Endnote # 3)

Kanji for “Seienchin”, sumi-e ink on rice paper

Traditionally, only the martial arts based physical applications of the principles have been explored and discussed. In my dynamic ideology of Jiriki Kata-Do, the spiritual connotations associated with the principles are delineated.

Four of the eight principles contained within Seienchin Kata are present within Sanchin Kata. (See Endnote # 4) To provide insight into the physical and hidden spiritual aspects of the eight principles, I submit the following brief discussion of the four principles found within Sanchin Kata.

Kanji for “Sanchin”, sumi-e ink on rice paper

The four principles found within Sanchin and the associated martial arts application, are as follows.

  • TO FLOAT – Unbalancing an opponent by one’s movement, depriving him of a firm footing and thereby defeating him.
  • TO SINK – controlling an opponent by making him feel heavy or clumsy;
  • TO SWALLOW – “to swallow” is a euphemism for the phrase “to absorb.” It means defeating an opponent’s attack by diverting and absorbing it;
  • TO SPIT  – “to spit” is a euphemism for the phrase “to reject.” It involves using explosive power to strike or push away an opponent with such force that he is defeated.

In my Seienchin DVD and Book, I submit that in addition to the above physical traits of the principles, there are hidden spiritual traits found within Sanchin and Seienchin Kata. These hidden spiritual traits remain concealed from all but a few enlightened practitioners of the Kata. The dynamic ideology of Jiriki Kata-Do is the express mechanism to uncover the hidden spiritual and meta-physical traits hidden within the eight primordial principles. As to the four principles found within Sanchin, I submit that the hidden spiritual traits are as follows.

  • TO FLOAT: After a practitioner of zazen, seated meditation, attained a level of proficiency, he was next required to learn “To Float”. Within this meditative practice, “To Float” means that one must allow one’s force to synchronize with and to flow with the general forces that exists in nature. (See Endnote # 5) One could not float by simply sitting in meditative zazen. One had to combine zazen with bodily movement; a dance. It is through the dance that the body could perform naturally and thus free the mind, or spirit, for meditation. Thus, passive, seated, meditation, was combined with the active, physical movement, in the manner of harmony of opposites, as in the concepts of Yin and Yang. It is my unfettered opinion that there is no greater form of “dance” than Karate-Do Kata. Thus, Kata are the ultimate mechanism for the phenomenon known as “To Float.”
  • TO SINK: this spiritual concept involved rooting one’s Chi, or bio-energy, as I call it, to the Earth during the dance so as to permit one’s energy to flow freely within the confines of one’s body and subsequently synchronize one’s internal energy with the external universal energy. If one’s internal bio-energy was not sufficiently rooted to the Earth, it would spill forth haphazardly into the external universal energy and be dissipated and dispersed thereby.
  • TO SWALLOW: This spiritual concept involves opening and extending oneself to the external universal energy. Through this process, one not only swallows, or absorbs, the universal energy into oneself, but also extends one’s bio-energy into the universe. Through this process one blends into the universal energy in such a manner as to unite with this external energy so as to produce a fully integrated state of being.
  • TO SPIT: This spiritual concept is a moral imperative. The universe is in complete balance and exists entirely in a state of harmony. The nature of the universe dictates that the universe is composed of a positive aspect and also contains a negative aspect. Harmony in the universe is achieved by balancing these opposing and chaotic elements. The spiritual concept “To Spit” is the process whereby one consciously is aware of the negative component of the universal essence, or spirit. Being thus aware of this negative aspect, the practitioner of either Sanchin Kata or Seienchin Kata who seeks to synchronize and unite with the universal essence, consciously desires to unite with the positive aspect and spit out, or reject, the negative aspect. This does not mean that the practitioner is out of harmony with the universe. The negative aspect will continue to exist, but such existence is limited to the universe in general. Though continuing to exist, the negative aspect is not unified with the practitioner’s individual essence and self. The result is an integrated positive self that exists within a harmonious universe of positive and negative aspects. The negative aspect tends to be absorbed by those unenlightened persons who incorporate negativity into their level of existence. These non-integrated, unenlightened humans, are often physically ill and spiritually bankrupt.

The physical and hidden spiritual traits of all eight principles are fully analyzed in my forthcoming DVD and Book, “The Dualism Of Seienchin Kata: Part Two in the Jiriki Kata-Do Series.” The anticipated release date for the DVD and Book is August 1, 2012.

In closing, I remain, floating, sinking, swallowing, spitting, bursting, rebounding, springing and lifting,

HANKO

Sensei John Szmitkowski

ENDNOTES:

  1. Part One of Jiriki Kata-Do can be found in my Sanchin DVD and Book: “Sanchin, Gateway To The Plateau Of Serenity.” Here is a convenient link a promotional video about the Sanchin DVD filmed on location at various scenic locations throughout Arizona. LINK: http://www.youtube.com/watch?v=J-pC-tPUrYE
  2. The “Eight Poems Of The Chinese Fist” are as follows:
  • 1. Jinshin wa tenchi ni onaji. The mind is one with heaven and earth.
  • 2. Ketsumyaku wa nichigetsu ni nitari. The circulatory rhythm of the body is similar to the cycle of the sun and the moon.
  • 3. Ho wa goju no donto su. The way of inhaling and exhaling is hardness and softness.
  • 4. Mi wa toki ni shitagai hen ni ozu. Act in accordance with time and change.
  • 5. Te wa ku ni ai sunawachi hairu. Techniques will occur in the absence of conscious thought.
  • 6. Shintai wa hakarite riho su. The feet must advance and retreat, separate and meet.
  • 7. Me wa shiho womiru wa yosu. The eyes must not miss even the slightest change.
  • 8. Mimiwa yoku happo wo kiku. The ears listen well in all eight directions.

3. I have chosen the name “Goshin-Do Karate DeFelice-Ryu” to designate the Goshin-Do Karate style as taught by my Sensei, Shihan Thomas DeFelice so as to distinguish it from the various other martial arts styles that utilize the “Goshin-Do” nomenclature. The Kanji for the style translates as, “Self-defense way of the empty hand, DeFelice style.”

4.I have made the benefits of Sanchin Kata available to everyone with my one hour Sanchin DVD and 116 page book. You can find information on how to purchase a Sanchin DVD & Book by clicking the following convenient link: http://www.dynamic-meditation.com/references.html

5. For example, In the Hindu meditative practices, the phrase used to describe this phenomenon is, “To allow one’s Atman to become one with the universal Atman.”

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

You may wish to view my blog dedicated to the interrelationship between martial arts protocol & ideology to fly-fishing and fishing in general by clicking WWW.FlyFishingDojo.Com

DOJO KUN – A DAILY REFLECTION

22 Jan

To everyone who participated in the Sunrise Sanchin Pilgrimage yesterday, “Thank-you for participating & I hope you were fulfilled by your Sanchin.” For my part, there wasn’t much sunrising as it was snowing, but it was spectacular to perform Sanchin in the cold, brisk morning air while the snow quietly blanketed the Earth. And then – of course – it was time to get the old snow shovel. And now, the current weblog article –

I thought I would share with you an important aspect of Shihan Thomas DeFelice’s Academy of Goshin-Do Karate-Do. You may wish to incorporate this aspect of the Dojo into not only your Sanchin practice but also your daily routine. The aspect is the Dojo Kun. Traditional Karate Dojo have a Dojo “Kun.” The Dojo Kun is essentially a statement of purpose, a raison d’être for the Dojo and the student’s who train therein.

Shihan Thomas DeFelice’s Goshin-Do Karate-Do patch

The kun has a rich and storied history and was, based upon conservative estimates, a guidepost for perhaps ten thousand students.

Patch commemorating the 40th anniversary of the Academy Of Goshin-Do Karate in 2005

The first nine statements date back to the earliest days of Shihan DeFelice’s Dojo which was originally located at 125 Broad Avenue, Palisades Park, NJ. The kun was displayed in a place of honor in the Dojo. In the photograph below, the Dojo kun can be seen displayed on the left adjacent to the photographs of historical karate masters.

The kun provided a refreshing means of reflection and contemplation before and after class. It also furnished a guideline for conducting yourself outside of the Dojo as you go about the drama of your life.

In 1997, I reproduced the kun for use in the Dojo which had relocated to 748 Paterson Avenue, East Rutherford, New Jersey. I also incorporated the kun into a student training manual for convenient reference. (See Endnote # 1). At that time, I added statement number ten, which is a proclamation that is personal to each student and a concluding statement; “Ichi-Nichi Issho” which translates as “One day – One lifetime.” This phrase was also used on the patch of the Issho Dojo.

Issho-Dojo Patch Of Sensei John Szmitkowski

Issho-Dojo Patch Of Sensei John Szmitkowski

While the kun is unique to the Academy of Goshin-Do Karate-Do, it can be of benefit to all. I hope you enjoy the kun and further hope it provides you with a convenient means of reflection and contemplation. Additionally for all of those who purchased my Sanchin Kata DVD, you may wish to reflect upon the kun during your Sanchin practice.

The kun is as follows:

ACADEMY OF GOSHIN-DO KARATE-DO DOJO KUN

1. WE ARE PROUD TO STUDY THE SPIRIT OF GOSHIN-DO. (FOLLOW THE PATH)

2. WE WILL ALWAYS OBSERVE THE RULES OF COURTESY.

3. WE SHALL ALWAYS PRACTICE PATIENCE AND HUMILITY.

4. WE SHALL ALWAYS STRIVE FOR PERFECTION OF CHARACTER.

5. WE WILL ALWAYS DEFEND THE PATHS OF TRUTH.

6. WE WILL BE QUICK TO SEIZE THE OPPORTUNITY.

7. WE WILL GUARD AGAINST IMPETUOUS COURAGE.

8. WE WILL TRAIN OUR HEARTS AND BODIES FOR A FIRM AND UNSHAKEN       SPIRIT.

9. WE WILL ALWAYS BE TRUE TO OURSELVES.

10. Student’s personal Kun.

Ichi-Nichi-Issho (One Day, One Lifetime)

Until the next submission, I remain living the Academy Of Goshin-Do Karate kun,

HANKO

Sensei John Szmitkowski

NOW AVAILABLE – SANCHIN VIDEO SERIES designed specifically for the NON-MARTIAL ARTIST who desires to learn & unlock the secret treasure of Sanchin. Here is a link to a FREE promotional video on You-Tube: http://www.youtube.com/watch?v=J-pC-tPUrYE   You can find information on how to purchase a Sanchin DVD r Book by clicking the following convenient link: http://www.dynamic-meditation.com/references.html

REMEMBER: SANCHIN can be performed by ANYBODY, ANYPLACE, ANYTIME. Here’s a few short video examples: Sanchin during a Harley-Davidson Electra-glide ride amidst the scenic Arizona cotton fields. Link: http://www.youtube.com/watch?v=lNbDxDHvlL8Sanchin as a form of SELF-BAPTISM at the beautiful Lower Salt River, Tonto National Forest, Arizona, Link: http://www.youtube.com/watch?v=h3MFNsl4mWg and Sanchin while fly fishing at Water Ranch lake, Gilbert, Arizona. Link: http://www.youtube.com/watch?v=3ncZJ0s0HNI

ENDNOTES:

1. Szmitkowski, John, Goshin-Do Kata-jitsu: Volume One: The Basic Kata (Issho Publications, 1997).

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

For more on either Sanchin Kata as meditation or my new book on Sanchin Kata, please feel free to visit the “Sanchin Book” page of this weblog, or my website WWW.Dynamic-Meditation.Com.

You may wish to view my blog dedicated to the interrelationship between martial arts protocol & ideology to fly-fishing and fishing in general by clicking WWW.FlyFishingDojo.Com

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