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Time Modification Of Kata – Kanto Example

11 Oct

 

Ah, I’ve just returned from a long weekend in Provincetown, Cape Cod. This annual sojourn gives me the time to think. And what better topic to think about than – time. Not the scientific concept of time, but time as it relates to martial arts.

Time is an ignored element of the martial arts. It is almost never considered in kata bunkai (analysis). Whether they realize it or not, most martial artist think in terms of distance as three dimensional. Distance is only defined as a function of the three dimensions of length, width and height. In reality, there is a fourth dimension that mandates exploration – time. Please see the resources in Endnote # 1 for an introductory discussion of this topic.

Exploration of the time dimension is facilitated by expanding your kata bunkai (analysis) to include consideration of time. How does time affect kata and its application is a subject limited only by the imagination of the karate-ka (practitioner).

The following two videos provide two examples.

The first is from the Gekisai kata. In the video the kata sequence whereby an open middle block followed by a front snap kick is manipulated. You can see how time is manipulated to gain an advantage over your opponent. This is commonly referred to as “speed.”

In the second video you see a sequence whereby a reverse punch is followed by a front snap kick; a very common sequence in many kata. In so far as one’s leg is longer than one’s arm, there is a distance problem (see the video). This is overcome by manipulating the timing of the punch and kick as show. Again, while the dimensions of length, width and height traditionally determine range to the target, the fourth dimension of time must be accounted for.

Once you begin to analyze your kata and practice kata with an awareness of time, you may be confronted with kata sequences that are not so readily manipulated. This results in a necessary change to the sequence of the kata to overcome the limits of the time dimension. An example may be found in the Kanto Kata of the Goshin-Do Karate system. (See Endnote # 2 for a video of this unique kata) Kanto translates as “Fighting Spirit.” It was created by Hanshi Frank Van Lenten to illustrate the techniques and ideology of the Goshin-Do Karate style. Within Kanto Kata there are sequences which are difficult, if not impossible, to achieve maximum time efficiency. One such sequence is as follows.

Move # 1: Stepping forward on a forty-five degree angle, a middle block is performed.

Move # 2: The blocking hand then executes a jab to the opponent’s nose.

Move # 3: This is then followed by a reverse punch.

To achieve maximum time efficiency in any kata, a block and a counter should be executed simultaneously. (see Endnote # 3) So in the above sequence, if not for the jab, it would be simple to execute the middle block and reverse punch simultaneously. The jab causes a problem. It is impossible to block and jab with the same hand simultaneously. To be sure, you can perform these two movements as fast as possible, but never at the exact same time. Further, if you perform the middle block and link the jab and reverse punch to hit simultaneously, you have achieved time efficiency with the two counter attacks, but you still have not linked the block and counter as simultaneous. To overcome this problem, you must modify the sequence itself.

You step forward and perform the middle block and reverse punch simultaneously (moves # 1 and # 3), then,

You perform the jab (move # 2)

 

In modifying the sequence, you will now counter attack as quickly and as efficiently as possible. Thus achieved efficiency in the fourth dimension of time. This concept can readily be applied to your other kata. I’ll soon post an article extending the concept to Seisan Kata.

You should strive to include the fourth dimension of time into your kata bunkai (analysis). I not only do this when I have a partner available to apply my bunkai, I also do this when practicing alone. I perform my kata using the traditional sequences and then perform the kata using the time modified sequences as above. In this manner you are performing bunkai solo while simultaneously performing your kata (more on this at a later time).

If you subscribe to the training maxim that kata is one tool that will help you achieve maximum efficiency in a self defense situation, then you must include this type of practice into you regime.

Respectfully submitted,

Sensei John Szmitkowski

     For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/
My seminars are the ONLY seminars that allow you to pay at the conclusion, thus insuring your complete satisfaction!
  For a refreshing and innovative discourse on kata and bunkai, please feel free to visit Sensei John’s Kata Laboratory and “THINK * SWEAT * EXPERIMENT” using this convenient link: https://senseijohn.me/kata-lab/

© Copyright 2017 Issho Productions & John Szmitkowski, all rights reserved.

Endnote:

1. Use this convenient link for a basic understanding as to how the three dimensions of distance – length, width and height apply to all karate technique and the necessity of understanding the fourth dimension of time –
https://senseijohn.me/2015/11/23/underground-bunkai-sneak-peak/

2. Kanto Kata video

3. Those familiar with the five responses to attack will understand that transitioning from a block followed-up by a counter attack to a block and counter as one movement is a transition from the state of GO NO SEN (after, later-before): block & counter attack to a state of SEN NO TE (before-hand): block and counter attack are in one movement.

You may wish to view my other blogs –
     my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol to fishing http://flyfishingdojo.com
and
   the Goshin-Do Karate blog at http://defeliceryu.com

Kata Lab # 2250: Kata Within You – Introduction

30 Aug

A dream is an answer to a question we have not yet learned to ask. Fox Mulder, The X-Files, (Paper Hearts episode, S4, E 10)

Background:
Kata is always within you.
In fact, you intentionally train to have kata within you. If a time comes when you are confronted by an attacker, kata rises to the surface and you can successfully defend yourself. The kata sequences that you instinctively use in your defense will vary based upon a great number of circumstances. Nonetheless, your training in kata will pay dividends in an actual street scenario. This kata lab explores that actuality. This Lab also functions as an introduction to the advanced concepts contained in Kata Lab # 4210: Kata Within You – Advanced.
Experiment:

  • Do not pre-select a kata for this lab. Your kata should be as spontaneous as possible;
  • Do not “spontaneously” perform your “favorite” kata. To do so defeats the purpose of this Kata Lab.
  • As you go about your day be aware of the fact that your kata is brewing inside you, waiting to let itself out;
    At a random point in time (you may also use a timer as in previous kata labs), let the kata out;
  • Perform the kata as you require at that specific time. For example, in Kata Lab number 2230, you performed the kata in a “life and death” scenario. This time, perform the kata as your specific needs may require, examples include, performing the kata to rejuvenate yourself if you are tired, or performing the kata to “stretch your legs” and “get your blood flowing” if you’re lethargic;
  • The kata that bursts forth from within you should be as random as possible based upon your physical and psychological needs at the time.

Conclusion:
This is a very basic kata lab to acquaint you with the idea that at all times, you are your kata and your kata is you. As you go about your day, kata simmers within you waiting to be called forth to help you through your day.
This lab also provides a firm foundation for Kata Lab # 4210: Kata Within You – Advanced and for other more advanced labs that follow.
This week’s featured video is

Bonus video from my new “Underground Bunkai” series:

Cum superiorum privilegio veniaque (“With the privilege and permission of the superiors”)

Sensei John Szmitkowski

  For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/

© Copyright 2017 Issho Productions & John Szmitkowski, all rights reserved.
You may wish to view my other blogs –
  my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com
and
  the Goshin-Do Karate blog at http://defeliceryu.com

Memorial Day Kata

24 May

Memorial Day soon approaches. It is a solemn day of remembrance for everyone who has died serving in the American Armed Forces. The holiday, originally known as Decoration Day, started after the Civil War to honor the Union and Confederate dead.May 24, 2015

With that in mind, I propose that in addition to your BBQ, parades, picnics and other activities, you engage in one solemn practice. For martial artists, I sugeest you dedicated one kata in memory of those that have died serving in the American Armed Forces. From Memorial Day, 2015, my Sanchin Kata footprints, North Truro, Cape Cod, MA:

Session Parameters:
Date: Memorial Day, May 29th, 2017
Time: any quiet time during your day;
Location: any location, but, as you know, I prefer an outdoors in nature;
Salient Points:
During kata, reflect upon and remember that have died in the service of our country. Through your honor, their memory will not be lost.

Thank-you for your participation,

Sensei John Szmitkowski

     For a refreshing and innovative discourse on kata and bunkai, please feel free to visit Sensei John’s Kata Laboratory and “THINK * SWEAT * EXPERIMENT” using this convenient link: https://senseijohn.me/kata-lab/

© Copyright 2017 Issho Productions & John Szmitkowski, all rights reserved.

You may wish to view my other blogs –
   my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol to fishing http://flyfishingdojo.com
and
 the Goshin-Do Karate blog at http://defeliceryu.com

KATA & CHESS – 2016 World Chess Championship

11 Nov

Today, in the far reaches of my backyard, New York City, marks the start of the 2016 World Chess Championship. The defending World Champion, GM Magnus Carlsen will defend his title against GM Sergey Karjakin. Photos from Wikipedia.

GM Magnus Carlsen, defending World Champion

GM Magnus Carlsen, defending World Champion

 

GM Sergay Karjakin

GM Sergey Karjakin

In the past I have posted a few articles on the similarity of kata and chess. Kata being a form of physical chess. My posts were inspired by my own kata practice and various chess tournaments and matches. I am sure this coming word championship will provide fertile ground for more inspiration. In the meantime, here’s a link to some of earlier articles and videos inspired by kata and chess.

FEYNMAN    Dr. Feynman Visits Sensei’s Kata Lab. This post was inspired by the 2015 Sinquefield Chess tournament. In a field of eight of the highest rated chess GM’s GM Levon Aronian emerged victorious. https://senseijohn.me/2015/09/28/dr-richard-feynman-visits-senseis-kata-lab-part-1/

BUNKAI--beauty of move copy   Kata Lab # 4210 – Random Sanchin Kata. This was inspired by the “Fischer-Chess” discussed in the 2014 Sinquefield Chess tournament. https://senseijohn.me/2014/11/03/kata-lab-random-sanchin-kata/

3 commentators   Kata, My Curse? This post was inspired the 2014 Sinquefield Chess tournament. https://senseijohn.me/2014/09/22/kata-my-curse/

Chess fans may wish to visit http://nyc2016.fide.com This site has exceptional coverage on the match, links to live feed of the games, and much more.

Enjoy the match. Respectfully submitted,

HANKO-wood

Sensei John Szmitkowski

   KATA LAB   For a refreshing and innovative discourse on kata and bunkai, please feel free to visit Sensei John’s Kata Laboratory and “THINK * SWEAT * EXPERIMENT” using this convenient link: https://senseijohn.me/kata-lab/

© Copyright 2016 Issho Productions & John Szmitkowski, all rights reserved.

You may wish to view my other blogs –
LOGO-WEBSITE   my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com
and
DOJO STICKER-1 the Goshin-Do Karate blog at http://defeliceryu.com

Kata Lab # 1210 – Kata Of The Mind

20 Jun

KATA LAB

Background:

Summer. Two months when most students leave the Dojo for summer vacation. More likely than not when the students return from vacation, they forgot at least one kata. Except one summer and one student, whom I’ll call Jacqui. She taught me a lesson. That lesson led to this Kata Lab. Jacqui was away at camp all summer. She was a relatively good student though a bit lazy. Her first night back at the Dojo, I wanted to gauge how much she forgot. While her kata were a bit awkward, I was amazed that she did not forget any kata. I told her that I was happy she found time to practice while at camp. To my surprise, she told me that she did not practice any kata the whole summer. Rather, she informed me that “lights-out” was rather early and she often laid in her bed bored and unable to sleep. To alleviate her boredom, she thought about her kata and mentally “practiced” them. With that conversation with Jacqui, the seeds of this kata lab were planted. Before the next summer, Jacqui stopped training. Her “legacy” lives on.

Experiment:

Notwithstanding the motto of my Kata Lab, “Think * Sweat * Experiment”, this kata labs involves very little sweating. For this lab you should:

Find a quiet place to sit comfortably. My preference is always an outdoor location; however, the first time you try this lab, you may wish to preserve a “martial atmosphere” and do the lab in your Dojo and while wearing your gi. Now, mentally perform your kata as if you were performing it physically:

• Strive for technical perfection;
• Speed and power should be as appropriate within the kata;
• Timing of breath, inhalation and exhalation must be accurate;
• Kiai where called for and in the appropriate manner;
• Maintain the proper focus and mental attitude as if you were physically doing the kata.

Once you are comfortable with this kata lab, move your mental practice outdoors. Concentrate on:

• Visualize how the different terrain affects your mental kata. Should you be aware of slippery surfaces? Is the kata being visualized going up or down a hill, if so, what is the effect?
• Is the air temperature hot, cold, raining or snowing? Visualize the effect

Conclusion:

Not only is this kata lab a fun mental exercise, but as Jacqui did, it allows you to remember your kata in a convenient manner. You can mentally practice your kata any place and any time. It also provides a convenient introduction into the spiritual aspect (state-of-mind, emotions and psychology) of kata.

Please remember, the mandate of the kata laboratory is

lab-collage-6

This weeks featured video:

Cum superiorum privilegio veniaque (“With the privilege and permission of the superiors”)

HANKO-master

Sensei John Szmitkowski

   300-cactus.jpg   For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/

© Copyright 2016 Issho Productions & John Szmitkowski, all rights reserved.

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

You may wish to view my other blogs –
LOGO-WEBSITE   my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com
and
DOJO STICKER-1 the Goshin-Do Karate blog at http://defeliceryu.com

Do NOT Perfect Your Kata

6 Jun

“Perfect your kata.”

You’ve heard it in the dojo, you’ve read about it in books, magazines and blogs. It’s mentioned in videos on You-Tube. Heck, I even posted an article concerning the idea that “Practice makes perfect.” https://senseijohn.me/2010/07/19/practice-does-not-make-perfect/

Well, I say “Do NOT ‘perfect’ your kata!”

To ‘perfect’ means to, “make (something) completely free from faults or defects, or as close to such a condition as possible.” Kata is one “something” that it is utterly impossible to perfect. Consider the following.

First, let’s start with the kata itself. I submit it is impossible to perfect a kata. Initially, how is a perfect kata to be defined. Is it one that is technically correct, free from faults or defects? If so, then a perfect kata is one that is merely pretty and lacks any functional utility. It must be remembered that kata is a dance, the highest form of dance in my opinion, but a dance nonetheless. What differentiates kata from all other forms of dance is one crucial element. Kata has at its core a martial purpose. It is designed to facilitate self-defense (see endnote # 1) So, to consider a kata as perfect merely based upon technical correctness of the performance is incomplete. Surely, a performer that performs a perfect kata in the dojo or a tournament but cannot defend him or her self with the sequences and techniques from the kata is but a perfect dancer.

Second, kata exists merely as a concept. It is enlivened only through the actions of a performer. In so far as the performer is an imperfect being (as is all humans), the kata can never be perfected. As to this point, I am reminded of a saying from one of my instructors, “Kata is to be thought of as clay in a mold.” Even assuming, arguendo, that the mold (the kata) is itself perfect, the clay (the performer) contains individual imperfections. Through the performance of the kata, repeatedly subjecting the clay to the mold, one hopes to remove as many perfections as possible; however, given the nature of flux of the imperfections, this is impossible. (See Endnote # 2)

Third, as regular readers are aware, I steadfastly maintain that kata contains three individual aspects, a physical aspect, a spiritual aspect (the manner in which kata affects your state-of-mind, emotions and psyche) and an environmental aspect (the manner in which kata is affected by environment and vice-versa). When most teachers talk of “perfecting” your kata, they limit themselves to only the physical aspect of kata. By doing so, they avoid the most difficult aspect, the spiritual aspect. This aspect is difficult on several fronts. To start, I submit each kata contains within it a specific state-of-mind required for the performance. A full discussion of this point is beyond this article; however, you may gleam an idea of a specific kata’s proscribed statement of mind from the translation of its name. Examples include, the Kanto (Fighting Spirit) kata of Goshin-Do Karate, Taikiyoku (To build the body and the spirit) Geikisai (To Destroy) and Seienchin (Calm in the storm / storm in the calm). Thus this state of mind must be “perfected” within the kata – a monumental task at best. One’s mind, states thereof, including emotions and psyche can never be “perfected.”
In addition, even though a kata is relatively short in duration, it is exceeding difficult for the human mind to maintain itself in a “perfect” mental, emotional and psychological state for such a duration.

Fourth, looking at my environmental aspect of kata, two points must be borne in mind when considering the notion of “perfecting” your kata. It must be remembered that a kata was once a creation of its inventor. You can easily research the inventor’s physical characteristics at the time of creation. You may also discover insight into his general mental state (such as whether history tells us he was depressed, quick to anger, starving as in the case of a few post WWWII masters, or an alcoholic). You may not be aware of the impact of the creator’s environment on his kata creation. The kata would have been created taking such terrain into account. As such, the only way to “perfect” such kata is to perform it in its intended (read “perfect”) environment. Not sure? Take any of the various Kobudo oar kata as an immediate example. Most contain sequences involving using the oar to throw sand and /or soil into the eyes of the kata opponent. True, the kata can be performed in a dojo; however, such performance can not be “perfect” unless sand or soil is actually thrown and not merely simulated. Additionally, while you may “perfect” a kata within the sterile environment of a dojo, you may not be able to duplicate such perfection outside of the dojo, on uneven terrain, in clothes and shoes, with variations of temperature and climate.

So, if, as I say you should NOT “perfect your kata,” what then should you do. Let us turn to that great “master of Okinawa football” (hey, now-a-days, if it isn’t Okinawa, it’s not “authentic”), Coach Vince Lombardi of the Greenbay Packers (the team was originally from Okinawa and imported by US servicemen after WWII). 😇
Coach Lombardi once told his team,

We will relentlessly chase perfection knowing full well we will not achieve it, but we will relentlessly chase it and in the process, we shall find excellence.

Applying this to kata, I urge you to forget “Perfect your kata” and instead, “Excel at your kata.” To excel takes into account all the variables contained within my three aspects of kata. You can excel at kata regardless of your age, health and physical limitations. You can excel at kata even if you are not in an ideal mental or emotional state. In fact, I submit you should use kata to modify your dilatory emotional state https://senseijohn.me/2013/10/06/kata-lab-221-kata-as-an-emotional-modifier/ You can excel at kata in any physical environment, terrain or climate. By doing so, you will understand not only the martial aspects of kata and be able to defend yourself (with kata sequences) in the process, but also the “life-giving” aspects of kata. (See Endnote # 3)

So, stop accepting axiomatic advice and “Think * Sweat * Experiment for yourself. Don’t perfect your kata.” “Excel at your kata.”

This week’s featured Kata Laboratory video:

Bonus video: Here is a sneak peak at the newest video series “Underground Bunkai” which features my senior black belt, Sensei Jimmy DiMicelli, Go-Dan, Karate-Do NO Renshi.

Respectfully submitted, Cum superiorum privilegio veniaque (“With the privilege and permission of the superiors”)

HANKO-master

Sensei John Szmitkowski

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sunsu-2      For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/
My seminars are the ONLY seminars that allow you to pay at the conclusion, thus insuring your complete satisfaction!

KATA LAB    For a refreshing and innovative discourse on kata and bunkai, please feel free to visit Sensei John’s Kata Laboratory and “THINK * SWEAT * EXPERIMENT” using this convenient link: https://senseijohn.me/kata-lab/

ENDNOTES:

1. Within the concept of self-defense, I include not only the obvious defense against an aggressor, but also physical health, and mental and emotional health.

2. This concept is the same as a chapter in my Kata Laboratory Book that addresses my concept that it is impossible to perform any kata exactly the same way twice. As of this writing, I have not released a free “teaser” of this chapter. This chapter discusses the multitude of variables and state of flux referred to in the article in great detail.

3. I draw a kata analogy to a concept from kendo (the art of the sword), “Satsujin no Ken (the sword that takes life) and Katsujin no Ken” (the sword that gives life”). I submit that the same applies to kata; Satsujin no Kata and Katsujin no Kata.

© Copyright 2015 – 2016 Issho Productions & John Szmitkowski, all rights reserved.

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

You may wish to view my other blogs –
LOGO-WEBSITE  my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com
and
DOJO STICKER-1   the Goshin-Do Karate blog at http://defeliceryu.com

Kata Lab # 2250: Kata Within You – An Introduction

23 May

A dream is an answer to a question we have not yet learned to ask. Fox Mulder, The X-Files, (Paper Hearts episode, S4, E 10)


KATA LAB

Background:

Kata is always within you.
In fact, you intentionally train to have kata within you. If a time comes when you are confronted by an attacker, kata rises to the surface and you can successfully defend yourself. The kata sequences that you instinctively use in your defense will vary based upon a great number of circumstances. Nonetheless, your training in kata will pay dividends in an actual street scenario. This kata lab explores that actuality. This Lab also functions as an introduction to the advanced concepts contained in Kata Lab # 4210: Kata Within You – Advanced.

Experiment:

  • Do not pre-select a kata for this lab. Your kata should be as spontaneous as possible;
  • Do not “spontaneously” perform your “favorite” kata. To do so defeats the purpose of this Kata Lab.
  • As you go about your day be aware of the fact that your kata is brewing inside you, waiting to let itself out;
  • At a random point in time (you may also use a timer as in previous kata labs), let the kata out;
  • Perform the kata as you require at that specific time. For example, in Kata Lab number 2230, you performed the kata in a “life and death” scenario. This time, perform the kata as your specific needs may require, examples include, performing the kata to rejuvenate yourself if you are tired, or performing the kata to “stretch your legs” and “get your blood flowing” if you’re lethargic;
  • The kata that bursts forth from within you should be as random as possible based upon your needs at the time.

Conclusion:

This is a very basic kata lab to acquaint you with the idea that at all times, you are your kata and your kata is you. As you go about your day, kata simmers within you waiting to be called forth to help you through your day.
This lab also provides a firm foundation for Kata Lab # 4210: Kata Within You – Advanced and for other more advanced labs that follow.

This week’s featured video is

Bonus video from my new “Underground Bunkai” series

 

HANKO-master
Cum superiorum privilegio veniaque (“With the privilege and permission of the superiors”)
Sensei John Szmitkowski

   sunsu-2   For information on my “no-risk”, kata seminars, please visit the seminar page using this convenient link https://senseijohn.me/seminar-kata/

 

© Copyright 2016 Issho Productions & John Szmitkowski, all rights reserved.

Sensei John is now on Facebook, under – FLY FISHING DOJO, you are invited to send a Facebook friend request.

You may wish to view my other blogs –
LOGO-WEBSITE   my fishing blog which includes my fishing journals and the interrelationship between martial arts protocol & ideology to fishing http://flyfishingdojo.com
and
DOJO STICKER-1 the Goshin-Do Karate blog at http://defeliceryu.com

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